Quality / Choice of Drinks: 10/10 Décor & Style: 10/10 Character, Atmosphere & Local Life: 10/10 Amenities & Events: 8/10 Value For Money: 7/10 OVERALL: 9.5/10
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Address:Rue Soeurs-de-Hasque 9, 4000 Liège, Belgium NearestStation: Liège-Carré , 10 mins walk Opening Hours: 11am-4am Monday-Saturday, 2pm-2am Sunday (Due to Coronavirus restrictions this may change, so check with the bar directly for any latest info)
History Le Pot au Lait is located on Soeurs de Hasque in the heart of Liege. Number 9 is a magnificent house from the 19th century built over an ancient convent which held, from the end of the 15th century, sisters from another convent from Hasselt, a Flemish city, being often called “Haske” in Liege, “The Sisters from Haske” gave their name to the street. Here is how the bar was founded:
“In 1973 a group of students created a place that until then had never existed in Liège where they could organise films, concerts, debates, theme days, free of any official politics. They found what they were looking for at No 9 Soeurs de Hasque Street and it opened as “Trou Perrette”.
In 1979, it became obvious that a second bar was needed next to the “Trou Perrette”. So we needed a name and after a brain storming session came up with “Pot au Lait” in reference to a fable from a french poet, Jean de La Fontaine (1621-1695) called “The Dairywoman and the Pot of milk”.
In 1981, the Trou Perrette closed its doors for the last time. But now you know why the Pot-au-Lait became the Pot-au-Lait“ The Pub
These days, Le Pot Au Lait continues its historic function, being the beating heart of nightlife and social affairs in the city. It would be untrue to say that this is a student venue either, more a youthful rite of passage that stays with you afterwards, one of those rare things, a pub you keep returning to over and over long after the early years.
Set off the main street, you will enter through a narrow courtyard, already spying the decorations festooned left and right. Some people will be hanging out on the terrace. The place gives off good vibes straight away.
Then, enter through to what at first appears to be a greenhouse, with uneven flooring. The ethos is akin to Hundertwasserhaus in Vienna, with a commitment to uneven surfaces, and heterodox approach. To call it distinctive is underselling it. Cartoon gorillas, carnival scenes, macabre taxidermy, graffiti, tall plants and more that would take too long to describe. Le Pot Au Lait is the funfair that got lost one day and decided to lay down roots.
Like some of the best bars in Europe: Szimpla Kert, ‘t Brugse Beertje, Zlatna Ribica, to name but a few, the place has an immediate draw that comes from sensing that everyone is having a great time, the excitement of being in the place to be.
It’s pretty cool too that Le Pot Au Lait is located somewhere like Liége. No, not somewhere fashionable for the nightlife like Brussels or Hamberg or Copenhagen, but this down-at-heel working class city in Wallonia.
Anyway, it’s time for a drink, don’t you think? You’re very well served here with several tap options and a suite of bottles covering a reasonably broad range of Belgium’s better beers. Perhaps they could serve a few more specialist options for the sniffier customers, but there is something here for most beer drinkers. Being popular with a younger crowd, there is also a reasonable selection of alternatives. You’d think this might be one of the more expensive venues too, but some choices appear genuinely cheap, and will certainly come across that way after a few days in the much more expensive end of Belgium.
Once served, plonk yourself among the communal niches surrounding the bar, the atrium (good for people watching), the mezzanine level or any little hidey-hole that suits your needs. Go for a wander around, because this is an art gallery as well as a bar.
Le Pot Au Lait has maintained a commitment to culture and the arts, so while we’d be perfectly happy if they just served drinks, it deserves extra commendation for hosting live events and being a communal meeting spot. Long opening hours mean this is a versatile venue that suits a quiet afternoon hangout or raucous late night drinks, each enjoyable in their own right.
We give bars a 10/10 rating when they are reasons in and of themselves to visit a place, and Le Pot Au Lait certainly justifies that.
Quality / Choice of Drinks: 10/10 Décor & Style: 9/10 Character, Atmosphere & Local Life: 10/10 Amenities & Events: 8/10 Value For Money: 7/10 OVERALL: 9.1/10
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Address:85-87 Gwydir St, Cambridge, CB1 2LG NearestStation: Cambridge, 10 mins walk Opening Hours: Sun-Thurs Midday-10pm, Fri-Sat – Midday-11pm (Due to Coronavirus restrictions this may change, so check with the bar directly for any latest info)
History
The Cambridge Blue, began life as the Dewdrop Inn, and remained with the name for over a century. All things come to an end, however, so when ownership changed to an ex-rower (always likely to be a big deal around Cambridge) in the 1980s, the pub name changed to those of the University and city colours. The new pub sign was a rather macabre mix of Welsh Dragon and American Eagle, reflecting the nationalities over the Landlords until their departure in 2007. There is more information on its history here, underlining that this pub is a backstreet, locals’ venue, despite close proximity to the train station.
New owners did not dispense with the rebranded pub name, but you will notice on arrival The Cambridge Blue’s signage now has a bold crimson/reddish brown background, creating a typically English contradiction. The little firkin barrel hanging underneath is a reasonably distinctive touch top. The pub boasts out front about being a ‘Real Ale Paradise‘, which immediately put me in mind of ‘Landbierparadies‘, a Nuremberg business dedicated to preserving and exhibiting Franconian beer (which, if you’re interested will make you completely rethink lager as a drink).
The Pub
On entry you will find a large bar, and it must be so in order to house The Cambridge Blue’s strongest suit, a vast offering of real ales, craft cask + keg, real cider + perry, dozens of whiskies, and tall fridges stocked full of Belgian beers, hundreds to choose from as it happens. The pub has won so many awards over the years for this offering that it would be frankly boring to reel them all off, but it leaves a firm impression. Pricing is along the lines of what you can expect in the city, so it is unlikely you will feel ripped off by many choices.
A wooden floor, chunky tables along with some recovered branding and signage from long gone businesses (including some which used to supply the pub with beer) helps bring the dominating bar area down to earth, lending a genteel element that contributes to that vital old nugget: genius locii.
Although there are normally (outside of Covid) a spread of tables around the bar area, including a nice snug set of a few tables around the corner, the main pub room is up to the left of the bar. With its slanted ceilings, fairy lights and yet more recovered pub ephemera, it’s like an oversized tube train carriage that’s crashed into a barn owned by a pub obsessive. In a good way.
Carrying on through, you will find that The Cambridge Blue boasts a large back garden, one that wouldn’t be immediately guessable while stood by the terraces facing directly onto the street front. The extra capacity is vital (even before distancing) given it’s such a popular venue and it backs on to the city cemetery. Without this a pretty small pub would remain.
Food is available, and although that isn’t really our area of interest, suffice to say, they cover a number of bases and dietary requirements.
Spending an evening in the main room as the natural light disappears, the glowing yellow of the lamps and dots of the fairylights takes over, or perhaps holding forth in the beer garden on a summer’s eve as the dusk sets in, you realise you are within – and part of – a quite special place. Other writers (who are very well travelled across the UK) have The Cambridge Blue as one of their Top 10 Pubs in the UK. When you pick the right moment and company here, it is tough to claim otherwise.
The concept of the Free House, (free that is, of the infamous brewery tie), a place free to stock its own choice of products to sell to the public is obviously one that attracts brave, bordering on foolhardy owners to make work. These are usually people with a vision. This far more often leads to better choice, a more distinctive venue and – in this case – the rewards of their labour: the custom of a great mix of locals and those from elsewhere who know that The Cambridge Blue is only a short walk away from the train station.
The pub at its best is all about a space to socialise, space where you know you can have a chat, play games, speak to different kinds of people, make friends, or sit in a cozy corner and ruminate. The Cambridge Blue offers that, so it would be valuable even without the compendium of Belgian beers. The fact it does go the extra mile is simply the cherry (or should that be Kriek?) on top. That is why we are delighted to add it on our guide.
Quality / Choice of Drinks: 9/10 Décor & Style: 10/10 Character, Atmosphere & Local Life: 10/10 Amenities & Events: 9/10 Value For Money: 7/10 OVERALL: 9.2/10
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Address:Yorckstraße 15, 10965 Berlin, Germany NearestU-Bahn stop: Mehringdamm Opening Hours: 6pm-11pm Sun-Tues, 6pm-Midnight Wed-Thu, 6pm-1am Fri-Sat (Due to Coronavirus restrictions this may change, so check with the bar directly for any latest info)
Yorckschlösschen, a name not easily tripping off an English tongue, references a district named after the van Wartenburgs, with ‘Schlösschen’ referring to a castle. However grandiose its name, disregard images of aristocrats and palaces from your mind. Here is situated a pub, and a quite brilliant one at that.
At the entrance you will be met by a huge curved sign above the door in the style of a theatre or ballroom, advertising Jazz and Blues performances. It is a flamboyant welcome that demands attention from any passer by. This is clever use of the corner of the building which juts back beyond 90 degrees in a wedge. For whatever reason, there a lot of good pubs in wedge shaped buildings.
Upon entering you will notice how this determines the layout. To your right, a small stage with a piano, to your left, a chunky table in front of some thick red curtains. This is the prized seat in the house if you are hear to enjoy a performance.
One can’t help notice the large chandelier which adds to its decadent, slightly sleazy bohemian feel. For Yorckschlösschen, above anything else, seeks to transport you to the peak of Berlin’s Jazz scene a hundred years earlier. While regular performances only begun around 30 years ago, you can quite easily believe they had been going on longer. Part of this is that the building has served as a pub under the very same name for 120 years, so there is an authentic and tangible history, which lays the platform for the more recent musical addition. To be fair, 30 years is reasonably good going, all by itself. Every Wednesday, Friday + Saturday from 9pm performances begin, with Thursday added during the winter months.
Moving forward now in the aim of getting a drink, you’ll notice its bar area is slightly occluded by a pillar and the comings and goings of the staff, but offers plenty to look at, indeed, as you swirl around you will be engulfed by historic posters, ephemera, styling and decorations that have come in and out of fashion more often than most of us have had hot dinners. As the band play, the waiter takes your order and you are ensconced at the heart of the pub, you cannot help but declare, silently or otherwise: This is it, this is where I want to be.
But what about the food and drink?!
For those souls who are more focused on Product, I am pleased to report good things about the local Kreuzberger Tag und Nacht beers available on tap alongside a reasonable stock of more common German offerings and a fairly comprehensive array of spirits, mixers and cocktails to choose from. Additionally, you’ll find reliable pub grub served from a small kitchen. Service is pretty efficient and friendly if you are being waited on, though there are a few spiciers characters around if you go nearer the bar.
The backroom is more of a hangout and socialising spot in the pub, where raised voices won’t upset those enjoying the music. This part itself we found cosy, distinctive and worth exploring. You could turn the place into your local very easily, play cards, board games, read a book – as long as you lived somewhere near it. Nowhere in the pub feels unloved, or cavernous. It’s all compact and cosy.
The final, and not insignificant string to its bow is a beer garden which regardless of the situation near a busy road feels nicely calm, verdant and – to a degree – private. It doesn’t feel like you’ve been stuck out far from the pub, you still feel part of its anatomy, which for me is crucial, as so many beer gardens are so anonymous that there is no special reason to comment on them.
This all builds a picture of a fabulous all-rounder, with no obvious weaknesses to report. Sure, everyone could think of one or two tweaks here and there which would add to the quality of the place even further, but on a 1st, 2nd, 3rd, 4th, etc, visit, such considerations will be far from your mind.
We travel far and wide in the hope of discovering pubs and bars like this one that don’t just settle for mediocrity but want to be a piece of living art, a cosy home for locals, an interesting place for visitors and a dazzling contribution to pub culture. Visit as soon as you can.
In Timișoara, a venue has appeared in the last 5 years which is entirely unlike anything you would expect to find in the West.
Strada Arhitect Laszlo Szekely 1 Timișoara Romania
Our Ratings:
Choice & Quality of Drinks: 7/10 Style & Décor: 10/10 Character, Atmosphere & Local Life: 9/10 Amenities & Events: 9/10 Value for Money: 8/10
Overall: 9.2/10
In Timișoara, a venue has appeared in the last 5 years which is entirely unlike anything you would expect to find in the West.
While Western Romania is hardly a hotbed of distinctive individual bars setting Europe alight, in a strange way, the cheaper rents, creative freedom and lack of corporate control make it much more likely that such a place may come into existence versus an expensive, tightly corporate trend-following city centre (eg. Leeds).
There is a twisted irony that Timișoara, birthplace of the Romanian revolution against communism would now host as one of its most popular attractions, Scârț, a bar and museum nostalgically smothered in its relics and ephemera and making money from them.
The name itself, “Scârț” translates to ‘Squeak’. Apparently there are extra layers of meaning to that (I haven’t managed to find out just what. Other suggestions seem to think it means Creaky door). Loc Lejer is more direct: ‘A chill place’. It was opened by a group of actors who were looking for a way to sustain themselves and their work.
The bar itself is located in a large old house in a quiet neighbourhood south of the city centre. It is not all that far away on foot, perhaps 15 minutes, also only a hundred metres away from a locally famous restaurant Casa Bunicii.
While the walk to Scârț may feel unsettling, entering the bar, even for the first time, feels almost like going to see an old friend.
Despite a Museum attraction on the premises, you won’t find too many huge signs nearby advertising its location. However, as long as you stick to the address and follow your nose, you’ll be OK.
Like a lot of cities in the region, backstreet Timișoara during the evenings is dark. I mean really, really dark. With little signage or street lights to guide you, the strongest indicator of the bar is the rumbling of conversation around the back of the building. Enter through the front gate and you will see a number of large artworks fixed to the fence in the driveway. Carry on through and you’ll find a small garden terrace, and a set of steps leading up to the bar itself.
On entering, you will find the bar directly to your right. You will have quickly noticed the place is very nicely decorated, with an array of communist-era nostalgia among one or two new artworks, with a few tables directly opposite the bar top to sit around.
There is a wide choice of drinks – alcohol certainly does not dominate, although there is plenty of that should you wish. The cheapest (though certainly not nicest) beer, Ciuc, will set you back 7 lei, reasonably good value in a city which generally fluctuates between 8-13 lei for a basic half litre bottle. If you are simply looking for tea, that can be served in pints and I read that they make their own elderberry drinks. We also read that you can buy certain old time snacks like Pufuleti, Eugenia and Danut, which is thoughtful.
Once served, you can explore two backrooms, where the décor hits you from all angles, with any number of interesting and varied pieces of communist kitsch to cast your eyes on. The furnishing is eclectic, but thoughtful, with some chunky tables to sit around, some bench seats and some soft furnishings to laze around on.
They have also provided board games, books and musical instruments, great touches from a bar which has dedicated itself to becoming a social hub.
We visited Scârț several times during our visit, at different times of day too, and there always seemed to be people milling about and treating the place as a second home (in a positive way). The garden in particular seems to be an area for convalescence, almost.
Remember we mentioned a museum? Well here is where the experience becomes even more colourful. If you have already been identified as a tourist the staff at the bar will likely invite you to go down and see the museum at a time of your choosing.
You will experience more intense version of what can be found in the bar. The name is “The Communist Consumers’ Museum”, effectively a collection of childhood items, relative luxuries and day-to-day objects which inspire nostalgia for the era set out in the style of a small apartment.
I must admit, its basement location makes it feel more nuclear bunker-like than was probably intended, but they have put a lot of care into arranging the items in a homely way. The exhibition is also interactive to a point. You are free to play with stamps, blackboards, musical instruments, old radios and really get hands on with the items in front of you (providing you show respect, of course!)
At the end point you will find some piggy banks – the museum is free but donations are welcome (and well deserved).
Once you have exhausted yourself in their historical air raid shelter of nik-naks and nostalgia, it’s back up to the bar to take a seat and socialise.
The crowd hanging out at Scârț are down-to-earth. This isn’t a pretentious see-and-be-seen destination. There are no bouncers, no under-dressed teenagers and no one is trying to be someone they aren’t. It’s a place to be yourself, at ease with others. Which is why we like it – a lot. This is also the recurring reason why thousands of people have rated it so highly on Google and TripAdvisor.
As if this wasn’t enough, the bar also has a theatrical connection, founded by members of the local Auăleu theatre group, who you can find more about during your visit.
Scârț does what nearly all the best bars in Europe achieve: it pits itself at the heart of a community, gives people multiple reasons to visit and exudes an identity that inspires loyalty.
What other bars find so difficult, this one seems to find easy. Where other venues have settled for less, this one has gone expressively explosive. As the website itself states – nothing has been left to chance. (Also, they haven’t removed the bath from the restroom, even more underlining that this really was someone’s house back in the day!)
Their sign-off is bold and confident: “you have got to be new, surprising, magical, young, warm, precise, inviting and everything else that Scârţ proves to be every single time.” We couldn’t agree more.
This mission statement is what all should have in mind when they create a bar. Sadly very few do, but at least we have places like this one to remind us what things could be like, and a website like ours to tell you where they exist! 🙂
On a cold or damp day (not uncommon in Durham), walking in from the main entrance of The Victoria will throw you straight into the heart of the action and the warmth of the room rushes to bid you welcome.
The Victoria hosts cheerful, very chatty locals who will seize any opportunity to engage in a bit of banter, ask you how you’re doing and what you’re up to, and altogether give the sense that they never really leave the pub, other than on some onerous errand or other. It’s a down-to-earth community greeting that may take aback those used to more a reserved, private experience. There is no forced jollity however, don’t worry about that. On a weekday evening or Saturday afternoon especially don’t be surprised to encounter a bar area thronged with people.
The longstanding publican Michael Webster will give you a straightforward and honest North East greeting and absolutely has your interests at heart. On a busy day you may be offered a seat in the back – unusually this can be accessed via the bar hatch, but also via a couple of sets of doors at the back of the bar.
Pubs of this sort were conceived with an understanding of the concept of genius loci, a harmonious use of space to create a genial special atmosphere. The local architect Joseph Oswald who designed the hotel prior to its construction in 1899 appears to have fundamentally grasped what layout would produce a special venue. Since then, what changes there have been to its appearance have been kept to a minimum. This is now protected by Grade II listed status.
The layout, fixtures and fittings have been well preserved, including some genuine curios such as their vintage coin till, and the service bells fixed in the frames of the bench seats. Some of you may have seen in traditional pubs and know they are nearly always found to be out of action. Well, they have rigged up a new call bell and it’ll be nae botha (within reason) if you use it to attract the attention of the bar staff. Victoriana at its finest, as WhatPub splendidly describes.
However distinctive the venue may be, a pub its nothing without the atmosphere created by its patrons. While the décor in the Victoria is rightly prized for its distinctive and well-preserved quality – almost a museum in fact – the customers, along with the enthusiasm and commitment of the staff (an impression which is imparted by everything they do) give the place a vibrancy that others pubs don’t match, for all the wax and varnish they may apply. In my opinion these folks are as integral a part of the pub’s character as the marble fireplace, quirky side rooms or any eccentric array of chintzy royal memorabilia.
So what’s to drink?
For many years The Victoria has offered as its permanent ale
‘Big Lamp Bitter’, a full-flavoured and now rather old fashioned brown bitter of
a sort which fits in with the experience of visiting The Victoria very well.
You will find other local ales on rotation, for prices which are a little
higher than most in the area, not that this deters the locals.
On the Saturday we visited, their kitchen had put on a spread of what can only be described as Durham tapas, traditional North Eastern grub mixed in with the kind of tuck you’d expect to fill the Famous Five’s hampers. You’ll be warmly invited to help yourself and get stuck in. They don’t much stand on ceremony around this area, and all the better for it in my view. Outside of tapas days, food may limited to toasties. Factoring in the hospitality here, their prices become far fairer.
The venue still operates as a hotel and you may see visitors
hustled through the back with their suitcases and up the stairs to the guest
rooms. In the morning they will enjoy a full English breakfast rustled up by
local legend Maureen, reportedly well worth a try.
We spent most of our time in the small lounge at the back of
the bar, a beautiful and cosy room with dark red detailed wallpaper, coal fires
and hosting domino games. In the warmth and intimacy, you can kiss goodbye to
the dreak and the damp of the outside and settle in for the evening. It’s the
kind of comfort and enjoyment that’s been regrettably overlooked when attempts
to modernise pubs have been made.
One of the great aspects of Victoriana (if we put aside some
of the horrendous inequalities and hardships for working people) was the real
concept of craft. That mass production was not incompatible with creating
something special. That a venue ordinary people could visit could be lavish and
a treat to visit rather than looking cookie-cutter and off-the-shelf, and on a
human level, as Dr Johnson famously put it:
“As soon as I enter the door of a tavern, I experience oblivion of care, and a freedom from solicitude. when I am seated, I find the master courteous, and the servants obsequious to my call; anxious to know and ready to supply my wants. The more good things you call for, the more welcome you are. Alcohol exhilarates my spirits, and prompts me to free conversation and an interchange of discourse with those whom I most love : I dogmatise and am contradicted, and in this conflict of opinion and sentiments I find delight. There is nothing which has yet been contrived by man, by which so much happiness is produced as by a capital tavern or inn.”
This is borne out by the fact so many of these historic venues
have endured any number of fashion trends, changes of property ownership and
economic disasters. Not nearly enough of them, to be sure, but there is
something intrinsically appealling that keeps people coming back. And these
people, as in all good pubs, belong to different walks of life.
A lot of pub owners and managers could learn a lot by
spending a day seated and observant in a place like this.
Quality & Choice of Drinks: 8/10 Style & Decor: 8/10 Character, Atmosphere & Local Life: 9/10 Amenities: 8/10 Value For Money: 7/10
OVERALL: 8/10
Summary: A triumph of survival and will power to keep something simple going, in the way Tilt has. It is interesting how that alone has steadily made the place feel more and more special as time goes on.
Serving Mechelen, Belgium since 1906, Den Tilt is a true survivor tucked away in a pleasant residential suburb, even then only 15 minutes walk from the train station or the old centre. It seemed only fair, given the proximity, to attempt a visit on our first trip to the city.
Google can only tell you so much, but the gathering impression from the comments was one of authenticity and local life, which appeals to us far more than 50 different beer taps or vintage-effect light bulbs. While many towns have their ‘local institution’, we had no idea just how famous the place was.
It was a pleasant day and a pleasant walk, crossing past the enormous stone medieval gate, over the grand canal (which dissects the rivers La Senne & Den Dijle, the second running through Mechelen centre) and a short zig-zag through quiet suburbs. We had previously stopped in at Café Hanekeef near the central square, itself an interesting venue, and thoroughly enjoyed both the pub and the sights of the town centre. Mechelen really is an excellent city that remains overlooked by tourists despite its beauty and historic interest.
Upon arrival, we spotted familiar Maes Pils signage (one of the most common Belgian lagers), Palm emblems (same) and a whitewashed shop front with an interesting old ‘Brigand’ sign attached to what was once a first floor window.
The sign for Café Tilt “Lokaal W.T.C” itself seems to our eyes a bit unfashionable, the kind of thing you expect from community pubs. This is a good sign actually, as it duly indicates what’s to be found inside.
The
wording ‘Lokaal’ is colloquial for pub, but not so often displayed outside in
that manner – perhaps a throwback in itself. The W.T.C is a reference to its
other purpose: a ‘cycling tourist club’!
As its homepage proudly boasts, “Storms, hurricanes, earthquakes, tsunamis, genocides, gulf wars, the fall of the wall, the word trade centre, bird flu: WTC-Tilt survives everything!”
While
we don’t want to spend this review talking about cycling, this club helps
sustain interest in the pub and keep it at the heart of the community, and a
lot of their events naturally drag back to a beer or three in the pub – that
deserves enormous credit.
Furthermore, football club KV Mechelen compete with the cycling club for wall space and seating space, with Tilt being a designated ‘club house’.
Sporting allegiance is a very common theme for Belgian cafes and all the more important when economic conditions and fashions make life tougher. There is a fabulous blog article here which was very helpful when writing this piece.
Tilt is special, but also run by a special human being. Owner Rozeke Raymaekers is now well into her 80s, having stood at the tap for 40 years. It should go without saying that she, cycling or no cycling, is the stuff of national legend, even featuring on a TV testimonial for the cleaning product Feem!
I arrived at Tilt as an outsider of course, and, as you would expect from any pub was treated with an assured and friendly welcome by Rozeke, someone who has seen it all before but become no poorer for the experience.
The rhythm of the pub, with its simple one roomed front of house layout, in the early afternoon suits her, they fit like hand in glove. Sedate, friendly, and calm with the occasional burst of laughter or exclamation. While of course it may be unusual to an outsider to see someone of her advanced years on her feet all day long, there is nothing upon inspection of the facts which would lead that to be inappropriate. If she feels strong and willing, all power to her!
The pub itself is defined by a lack of pretension, right down to the outside toilets. You will find real life of all kinds mixing together, a true democracy, while the decoration itself is more of a collection of memoirs and sporting achievements than a genuine attempt towards any sort of stylistic angle (though it would seem the café did previously resemble more of a brown café ). There are some nice touches such as the pot-stove which remains in use, and old-fashioned savings cupboard, common but nostalgic items.
….Very well, but what’s to drink?
Drinks are simple and affordable. It isn’t all about a cheap 25cl of lager either, you will find some stronger bottles, mostly from the classic Belgian range, reliable and high quality. However sometimes, in straightforward pubs like Tilt, it makes sense to order something simple from the taps, which, you will often hear claimed as being “the best poured in the city”, however much trust you place in such hyperbole.
While you may walk past, or poke your head through the door and see something ordinary, the people around you are the true indicators. The glint in everyone’s eye betrays they know they are lucky to have a place like Tilt in their lives.
Before we go, please enjoy this nostalgia trip into Mechelen’s cafés of the past.
I sincerely hope they have a continuity plan for when the inevitable happens. After all, “WTC Tilt survives everything.”
As for Rozeke’s take on the future?
“I will keep this way until the very end”. “Life is celebrated here, and nobody is looked at here by its colour, age or gender. Having fun, that’s what counts here. Yes, I mean it: I will fall dead here after my counter.“
Quality & Choice of Drinks: 8/10 Style & Décor: 9/10 Character & Atmosphere: 9/10 Amenities & Events: 7/10 Value For Money: 6/10 OVERALL: 8.7/10
Stylish, high quality and very atmospheric, here is the peak of Bari’s nightlife.
Where is Opus Pistorium?
The best bar in Bari is located in the tight twisty environs of Bari old town! Here you can enjoy an atmosphere which – at the time of writing – has survived the effects of major tourism that has so drastically affected the likes of Dubrovnik and Venice, destroying the local life in the centre of its city.
Such local life, in all unfettered glory can be found in the heart of Bari, what many other hollowed-out cities would simply call their ‘cultural centre’ (with the tacit acknowledgement that the city’s residents are surplus to requirements), but what in Bari constitutes a genuine living city.
The air is heavy with fresh laundry as residents drape their newly washed bed linens over the balcony to dry, families gather in dining room cum kitchens to dine and converse, their loud exclamations echoing along the alleys and passageways. Children play football and bar owners trundle the latest batch of beer on trolleys around the uneven flagstones with careworn expressions. Traffic noise appears distant, with only the occasional revving of a Piaggio piercing the background echoes of human life cleanly bouncing off the flat surfaces and crooked streets.
Don’t be fooled, Bari is no backwater, indeed the old town is simply 1 of several distinct constituent parts of what is a busy and vibrant place. The city simply features a little further down most travellers to-do lists. Yet, what Bari may lack in self-opportunities, quirky features and bucket-list icons, it compensates for through its authenticity. Outside of the summer in particular, the lack of tourism will feel like a breath of fresh air. This experience is now absent from the places which have welcomed cruises, AirBnB and backpackers all year round.
Bari old town’s nightlight is crowned by 2 very atmospheric brooding bars situated within 30 seconds of each other just off the old town square Piazza Mercantile, the first being Chat Noir (also featuring on our guide), and this one, Opus Pistorium.
The name, which sounds uncannily like a disgraced amputee, is actually a reference to a Henry Miller novel. OP (as we will refer to it from now on) is the best bar we have found in any district of Bari. What made the discovery even more fun was finding it on a whim, not after any studious research, and it being the last bar we visited in Bari on our stay!
What’s it like?
On arrival from the exterior, the contents within will not appear screamingly obvious, with a small discreet entrance, but venture in, and you will be greeted with a spectacularly stylish bar.
OP is based in a tall long room with a curved brick ceiling nearly 15 metres up. I would not be surprised if the room had a specific different use in the past (a water tank perhaps, like Azimutin Sibenik?) but the effect on the bar is endowing it with acres of wall space.
Most bars would not attempt to rise to the challenge, but instead OP carefully accepts it, with a tall long bar area decorated with plants, rather than simply bottles, and artwork of an exotic, occasionally oriental leaning. The colour scheme is crimson – combined with fairylights and candles, this creates a brooding effect that lends itself wonderfully to an intimate late night drink.
Casting your eyes around the room will also reveal a careful decoration of antique furnishings and ephemera, although this isn’t an out-and-out antique bar like the half dozen we have documented in our Days Out feature at Kazimierz, Krakow. The end effect at OP is somewhere in between. Modern artwork and lighting but with a strong nod to the past in other aspects. It is effective and impresses as being tasteful and distinctive – extremely important for becoming eligible for the European Bar Guide.
…come on, tell me about the drinks!
Of course be interested to know what drinks are on offer. Wine strongly features on any menu in a non-specialist Italian bar, and OP is no different, but the beer and cocktail choices are similarly very strong, the emphasis being on quality, not quantity in terms of options. The cocktails we tried were carefully but promptly made, beautifully mixed and presented at a fair price, certainly one which makes you raise an eyebrow in comparison to the cost of beer (which after all, takes rather less effort for bar staff to prepare and serve). Local ingredients make up a strong feature. Normally a sprig in a cocktail in any old bar would be largely presentational, but the rosemary was so fresh and full of scent it added to the flavour and sensation of drinking (what in my case was a Penicillin).
OP is a late bar, so don’t attempt to visit before 7pm,
indeed you may be advised to pop by later on if you are seeking a faster-pace.
While it was sedate on our visit, many other reviews reference how busy it can
get, so it may be advisable to reserve a table, which is possible between 7 and
9.30pm.
Combining a drink here with one in the longer standing and slightly more bohemian Chat Noir will delight anyone who enjoys drinking in those deep red boudoir aesthetics.
One of the risks of a bar of this kind is drowning in its own pretentiousness, risking a lack of openness and a stuffy feel, producing a crowd of customers that behave accordingly. Neither of these bars fall into that category, as while they may not be down to earth either, the decoration, atmosphere and staff will put you at ease.
Both are worth visiting, indeed both belong among the best bars in Europe but Opus Pistorium stands out even further, offering better drinks and value for money, with a style that is original in places. We highly recommend taking time to drink at this superb moody bar on your visit to Bari!
There is a certain delight in finding a diamond in the rough, not least when it’s a brown café. Liège’s careworn and ramshackle districts provide plenty of rough – this is not a city that has enjoyed the most tasteful town planning, nor preservation of its heritage. There are quirky features and surprising beauty spots if you are determined to find them. Impasses, a giant staircase, quiet side streets, timber framed buildings sprinkled across the city, and upon arrival a dramatically different (if annoyingly distant) ultra-modern railway station.
This city is certainly not one to write-off, but on a grey weekend, the place seems overburdened with regret about its numerous ill-maintained architectural mistakes, not to mention the inevitable results that come from relatively pauce economic circumstances.
Wallonia is not the well-to-do side of Belgium these days, and hasn’t been for a long time. While it is breathtakingly beautiful in its rural areas and some small towns, a visit to its cities (the likes of Charleroi or Liège) is more than a tad reminiscent of the atmosphere you’ll find visiting dour towns in Northern France, especially in comparison to the well-financed Flemish cities of Ghent and Antwerp.
However, a reliable general rule is: the more hard-nosed a city, the worse its climate, the more likely it will be crammed full of drinking holes. Liège proves this quite adequately, as a cursory search will reveal, you can barely turn a corner in the centre without bumping into some bar or other, while certain streets have a local notoriety.
Some bars, such as Taverne St. Paul, Café Lequet and Le Pot Au Lait are, for their own differing reasons, Liégeois institutions, the bright lights that draw everyone in (those with good taste, anyway). However, today we are going to focus on a more understated city centre venue, Au Delft.
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Au Delft is a corner bar situated in an art deco influenced grey-brown brick city building with a quarter-circle frontage and circular windows running down each storey. The structure is non-committal and the materials used are unattractive in colour, so the impression lands in an uncanny valley between noticeably funky and downright ugly.
It doesn’t seem as though this would contain anything preserved except perhaps the embryonic ego of a reckless architect, but one look at the Jupiler signage, and the ground floor bar indicates that something interesting may be inside – or at the absolute very least, somewhere to buy a beer.
Step inside under a large dark green awning to discover a well-preserved bar blending stylish décor (appearing to span from the early ’50s to ’70s to my eye), with features and fittings that regularly appear in brown cafés, one of my absolute favourite styles of bar. Their name itself references a medieval town in Western Netherlands, a heartland of the brown café or bruine kroege.
That Au Delft now feels frozen in time is no accident – they knew they were onto a winner with this place and haven’t altered the format. Unlike the thousands of idiots who have vandalised amazing pubs and bars over the years, the owners have chosen to retain what made it special and ignored the nearly irrepressible human instinct to follow trends.
The bar area itself is magnificent. Faded with age but handsomely redeemed by its character. This scene is juxtaposed with a chess board tiled floor, which wouldn’t be my preferred choice usually, but works brilliantly for this place.
Some small details set this place apart, without adding clutter. The newspaper clips, the beautiful painted lettering on the mirrors which are installed in the partitions above crimson leather-backed seats. Indications of present tradition and ritual mixed with a melancholy legacy of days that are long gone, never to return.
Some of this reminded me of Au Daringman, in Brussels, another out-of-time venue, that exudes confidence and contentment in what it is.
If you are used to paying 4 euros 50 for a quarter litre of beer in Brussels bars then you will scarcely believe your eyes when you discover the prices. Yes, pleasingly these are pitched to attract the custom locals rather than fleece tourists, but when allowing for Au Delft’s city centre location it comfortably beats some of the local competition too.
Au Delft are not competing with those bars that are trying to start their own seed bank of beer for when the human race faces extinction, but they carefully tick off most of the main traditional Belgian beer styles and none of these could be said to be poor value: far from it.
There is actually something relieving about being spared the task of rifling through a Bible to choose between hundreds of beers and dozens of styles each time you desire a drink.
With my limited French I struggled a little to get my point across (there’s nothing more confidence-sapping than delivering a sentence which you are fairly confident is grammatically correct and well-pronounced only to receive a reaction of complete opacity and confusion) but thankfully the service was more than kind enough to offer patience in that regard. Any beer you select will be served to your table along with a small tray of nuts, which is a little token of mutual back-scratching I always like. After all, once the salt gets to work, further liquid is required.
The crowd in Au Delft is a mixture of loyal older regulars who have instant recognition and are well cared for by the staff. You will also find couples wanting a quiet drink and the occasional group of young friends.
Au Delft has a nice convivial atmosphere whether quiet or busy, partly down to the carefully preserved décor and sense of refuge. It is both an excellent place for quiet contemplation or jovial conversation.
I was on limited time and so could only stay for a couple of beers, but I could have easily remained in Au Delft all evening. The impossible prospect of turning a place into my local, to get to know the other staff and become part of the fixtures of the bar are often one of the melancholy aspects of travelling. Often I am happy just to have found the venue and spent a night there, but Au Delft is one of those places I suspect you can only truly ‘find’ when you have visited for many years.
While Au Delft may not be the first name on everyone’s lips when it comes to nightlife in Liège, their quietly confident style, preserved features, genuine local life, friendly service and great value mean that it can’t be missed out and it comfortably earns a place on our guide as being one of the best pubs in Europe.
Although it shouldn’t, it comes as a surprise to me, as much as a relief to have located a cosy, non-corporate pub slap-bang in the middle of a European city centre.
However, Belgium and Netherlands make a habit of it, and these nations just so happen to be Aachen’s closest neighbours.
This German border city and the Low Countries (either of which can be reached in an hour walk from Aachen centre) share a host of cultural cues, with the city itself having initial importance as a Roman spa town before the cult of Imperial Rome spawned Charlemagne and the crowning of 31 Holy Roman Emperors in the subsequent centuries. Aachen also enjoyed a position as a major trading point between nations, goods and wares shipped from the North Sea ports, which may help explain the cultural overlap.
Don’t be under the impression Aachen is any less German for it – believe me, Aachen is a firm fixture of Nord-Rhein Westphalia, and this mixture today results in interesting blends of buildings as you walk around town. Its town hall and surrounding Gothic buildings in the Altstadt could as easily appear as far away as Ghent or Nijmegen without raising any suspicion, but similarly, the remnants of the city wall and the post-war reconstruction are as German as it comes. The cultural centre of Aachen isn’t a large ensemble of buildings when compared to some places, but they are nonetheless impressive and occupy a bigger portion of the city than Cologne or Dusseldorf’s old towns, for example. Aachen is easy to get to from virtually anywhere nearby, and its attractions justify you spending a night here.
Domkeller is situated in the heart of town in an attractive brick townhouse on the small Hof square (you know you’re somewhere central when Hof appears). The scene is made all the more picturesque by a ruined arch halfway along and the distinctive houses that line the square, all fitted with huge grid windows of the kind you normally expect to see on Burgher houses.
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The risk is that Domkeller could so easily be one of those common tourist traps and a let-down given its advantageous situation. Instead, you will find the opposite is true.
Domkeller is neither based at the cathedral, or in fact a cellar venue (that ceased to be true in the 1980s, apparently, due to safety regulations), however its proximity and age, dating back at least until the 1950s justifies a name of such significance.
This pub enjoys a handsome trade of local people both young and old who are happy to sit and socialise among the odd tourist (such as myself) or group of businessmen that are passing through.
It’s a place that invites interactions with other people; that magic chemistry where strangers who would otherwise be ignoring each other feel they can cross the divide. That alone would be a good reason to include Domkeller on our guide. Aside of that – the antifascist sign near the entrance is proof that many of these elements go hand-in-hand.
Be assured, the appeal doesn’t stop there. As you walk in through a corner door you will find a cosy room with bar area to your right and communal bench seating with fixed small tables. To your left is some chunkier furniture and further benches. Beyond the bar area is the second part of the room, which again is based around bench seating by the walls and has the effect that most of the time you are spent in an enclosed space where you are looking at and interacting with what’s inside rather than what’s outside.
Domkeller accepts orders at the bar but keeps table service operating and prefers that – it is quick, attentive and polite without being too formal. You’ll be needing a drink of course, and here is where Domkeller comes into its own.
The choices of beer are certainly quality over quantity, but even this selection is encyclopaedic when compared to most German venues. Here at Domkeller, several bases are covered. They have various styles of German beer on tap covering Kolsch, Altbier, Landbier, Pils and Hefeweissbier – most of which are from medium-sized, not corporate breweries – and a suite of Belgian bottles which are mostly the familiar Trappist and Abbey ales, but nonetheless hugely welcome in a nation that is not fond of selling beer brewed by anyone except themselves. Believe me, travel east from Domkeller, stop in each pub you find and it will be a long time before you see as many Belgium beers again.
The atmosphere is also quite fitting for drinking whisky, something which the management appear to have recognised a long time ago – take a look at the drinks menu for a few interesting options.
Prices are along the typical level for this part of the world – perhaps cheaper than Maastricht up the road, a little cheaper than Cologne too, though perhaps a little more expensive than Liege and the rest of Wallonia, which is after all a poorer region of Belgium than Flanders. For a city centre venue, it’s fair value.
Domkeller’s website claims their Weinstube (the upper floor, accessed via a central staircase by the end of the bar) is converted into a small concert hall every Monday night, which I can imagine drumming up even more atmosphere in this place. These start at 8PM, and the pub won’t accept new entrants after 7.30PM.
The upper floor is a lighter shade than the downstairs with a surprisingly high ceiling, though still decorated in a simple, traditional style. There is a gently sloping roof at one side of the room which adds a bit of character. I would rather be downstairs, but would certainly accept a seat upstairs if that was what remained.
Domkeller have a relaxed attitude towards bringing food into eat, which is a refreshing change and shows the sort of pragmatism that people who know pubs recognise but accountants do not. Clearly any food is going to make a person thirsty for more of their fine beers – who loses?
Have I mentioned the opening hours yet? Bloody brilliant! How many cities have I been to that practically shut up shop by midnight? A lot. Too many. Expect Domkeller to serve your needs well into the early hours of the morning, in fair weather or foul, throughout the week. This, along with the friendly company and Belgian ales explained why I found it very difficult to leave and go to bed!
Speaking of weather, the place throws itself open as the weather improves, with outside seating on the square. This is of course a pleasant place to sit back and enjoy the sun, but the true character of the place is indoors in my opinion, a wonderful refuge from the bitter winter weather – the core creation should be at the core of the appeal.
Across Europe, places like Domkeller, based so close to the centre of the city, have ceased to be cult venues long ago and sold out to middle aged tourists to become a generic café.
It’s great to see that the real character of Aachen endures and therefore we say, ‘long live Domkeller’ – and hopefully see you again very soon!
Being a cult venue, Marsella isn’t exactly a secret. Any basic search will reveal lurid tales from this bar’s often sordid 200-year history, but just because Barça residents know all about it doesn’t make the experience passé for a newcomer. Every first visit is by definition a novel one and besides, there are good reasons why it has become an institution, as I will now reveal:
You’ll need to walk to the Raval district just a short walk west of La Rambla. This has been a notoriously edgy red-light district in the past, but they seem to have cleaned it up a touch lately. From my experience it isn’t any more or less edgy than most major European city centre districts, including those on the Med. While there may be some drunkards around late in the evening, and destitute migrants trying to sell you ambient temperature beer from crates, all this stuff can be swerved without encountering any real trouble. Perhaps my tolerance comes through growing up in Northern cities in the UK, where you’re never far away from confrontation of some sort. The only thing I would watch out for is being corned by any groups down any narrow lanes – they will know the rat runs better than you (being rats and all).
After a short walk the faded and stained net curtains and geriatric frontage of Marsella comes into view, set directly off the street. You might need to do a double-take to confirm which of the various panels is the door – and don’t yank the door off its hinges! The fixtures look so delicate and aged that any mistreatment might cause the whole edifice to crumble.
This theme continues once you’re inside. You’ll find a single-room marble bar with a wide open space at the front doubling as old-time dance-floor and bar area. Though they do occasionally organise events, there probably won’t be any dancing going on and you’ll see most people gathered along the seating areas to the left as you enter.
Take a moment to inspect the cracked plaster everywhere, the decrepit wood panelling and former grandeur, which brings to mind a Havana cocktail bar. There are shelves and bookcases along the far wall with bottles that look untouched for several decades, if not longer.
Among many items of interest are Franco-era signs prohibiting singing, spitting, loitering and amassing in large groups (fun not being one of the hallmarks of living in Catalonia during his dictatorship). It was known at the time that the establishment was a hangout of dissidents and revolutionaries.
As with most Spanish bars, you can expect to find it open until the late hours. If Google is correct, opening at 6pm would make Marsella is somewhat of an early riser. 10pm is not uncommon time for some bars to open in Spain, and given I have read varying reports about its opening hours I would recommend you try this place later on in the evening to give you the best chance.
Marsella is well-known for its Absinthe, a rarity in the city until the last few decades. You may find some brave souls partaking in the rather studied ritual as you scan the room.
There is certainly a time and place for Absinthe – and where better than here? However, even with that factored in, a more astute decision in my view would be to order one of their enormous boozy cocktails that are made with panache but presented plainly and simply (contrast that with any cocktail bar in England where the added value is all about the artifice and presentation). While I love a beer, some bars just don’t feel quite right to drink it in, and this is one of them.
The current operation is a fascinating double team of Master and Apprentice. His teacher, a scholarly old soul who tends the bar, chips in here and there, and a young scholar who does the table service and most of the hard yards.
The atmosphere is powerful, particular once the booze gets to work. I’d recommend plonking yourself on a table where you can see the bar area on your left and the seating area on your right, as this gives you the full panorama. There is a hell of a lot to look at in the bar, but take a moment to ease back in your chair and appreciate the general scene itself, where at points you will feel as if you’re fading into the history of the place. Perhaps it’s the glow of the lights against the walnut-coloured wooden panels, or that undefinable ‘vibe’ that makes it an unforgettable destination, but the short of it is, they’ve created something simply by doing nothing. Since 1820 they’ve opened their doors and just let it gradually age (and in some senses rot) around them. Is the place ever cleaned? Glasses, seats, floor and table-tops, perhaps. The rest? Don’t bet on it.
You can read the anecdotes about Hemingway, Picasso, Dali if you like, but I preferred to sit there and considering the wider churn of people that must have frequented the place over time, mostly to enjoy the absinth and heady surroundings.
I read here that Marsella was previously threatened with closure due to the wishes of the building owner (something this 2013 website appears to mourn), until the city itself stepped into save it, purchasing the building itself to insure against it. This article (in Spanish) confirms it.
“The bar Marseille, whose future was uncertain during the last two years due to disagreements between Lamiel and the former owners of the premises, has just become the property of the City Council, which has bought the building on Sant Ramon Street, 1, Sant Pau corner. for 1,093,000 euros.”
Extraordinary. How many bars could you possibly say that about?
So many new bars try to be all things to all people, with the end result being a bland beige mush no-one will ever remember – let alone try and save from closure. By contrast, this bar knows itself, isn’t afraid to be loved or hated and is never going to change until the building itself collapses into rubble on top of it. Until that day comes, Viva el Marsella! – Places like this don’t come along every day.
Blue Orange, or B.O for short (…lol!) is undoubtedly Kaunas’ foremost long-standing social drinking institution for students and young folk, taking on an unofficial Student Union bar feel, with a few bells and whistles that entice a post-Uni crowd as well.
The name was inspired by the poemThe World Is Blue As An Orange by the French Surrealist poet Paul Éluard, yet this little pretentious flourish couldn’t be further apart from the uncomplicated down-to-earth and friendly bar you’re about to visit.
Unusually for a student bar, Blue Orange is a family operation, opened by the current manager’s father and uncle, now run by mother and son. This is a nice fact in an increasingly corporate world.
Enter off a quiet side street in Kaunas’ pretty, though low-key old town and you’ll see a long room tunneling off to your left, and the bar straight in front of you. Décor is down to a earth, a little offbeat but generally plain, going on ramshackle, but in that cosy lived-in way that gives places like these some charm.
B.O (yep, this is still funny) offers a range of the usual pub amenities in addition to the beer: board games, beer pong, foosball, rudimentary pub food, events nights etc, and is without doubt focused on gathering and maintaining a community around it as best as it can. It succeeds. Football championships, “Guitar Hero” nights etc., you name it.
At the minute the second floor is being renovated so don’t count on any DJing or dancing up there for now. We shall keep a close watch on what they do with the space.
Everyone likes a late bar (What, you don’t? See me after class!) and Blue Orange provides a stalwart service in that regard, opening way past midnight into the early hours, all nights of the week. Be aware though that the place doesn’t actually open until 5pm, so don’t rely on it for an afternoon pint.
The furnishings and the bar concept may be growing a little dog-eared, but among a friendly crowd, that doesn’t seem to matter. And it’s an easy place to make friends, with space being at a premium you may find a group or individuals offer you a friendly – if drunken – introduction.
As far as the beers go, you can fill your glass for a very decent price, and there are 6-7 decent taps with Lithuanian beer on offer, along with a correspondingly well stocked fridge full of bottles. It is, after reflection, a pretty good range for the type of bar it is, and reasonable quality. Unfortunately you might find as with a lot of small time operations in mainland Europe that the beer comes out of the taps far too lively and it takes three pint glasses of foam before finally enough beer is produced to fill your glass. This can cause holdups but thankfully the drink at the end is worth it.
Staff are surly in the usual Baltic manner (perhaps they are fed up by the bar taps) but at least it’s service at the bar and not having to wait for table service – a dreaded custom across many venues in Eastern Europe.
BO has a central location near a number of good transport connections, but isn’t situated on a main thoroughfare that gets passing trade. This means it is visited by a loyal crowd of those in the know. It remains a really good option if you want to sample what the young but not so preening Kaunasii are up to with their free time or make it your local.
Going from some comments, Blue Orange isn’t quite as zeitgeisty as it’s heyday, though you can’t help wonder whether these critics are just resentful thirty somethings trying and failing to relive their glory days. It must have been some heyday if they’re correct, as during my visit the bar was rammed full of young people who all looked like they were having a great time, also with the feel that it was their regular hangout spot. I’ll be back next time I’m in Kaunas, that’s for sure.
If Blue Orange doesn’t suit your mature post-grad mentality, then check out their new bar B20 on Gedminas gatve 30, which is similarly well reviewed but has a more modern and generic décor to my eyes. All the same, it breaks up the long, long walk between the train station and the old town quite nicely.
Have you been to Blue Orange? Agree or disagree with this review? Join in the discussion on Facebook or leave a review below!
Galgenhuis, ‘The Gallows House’ is Ghent’s most central and historical pub, occupying a small but nevertheless fascinating and lurid position in the city’s heritage. Set on a corner by the Kleine Vismarkt bridge, and strapped onto the striking Groot Vleeshuis, the uneconomically modest size never gives the impression of being a likely pub venue.
It’s name stems from a medieval pillory based on the rear of the roof, used in those days to shame criminals. A former fish stall, tripe house, then schandstraffen, Galgenhuis has seen its fair share of fishy doings, both before and following its conversion into a pub during the 1700s. There is some terrific writing about the history of the building to be found here and here.
All the same, it’s 2019, so what’s the place like now? Well, you enter via steps down off the street, past a small patio area. Upon entering you’re greeted with a one room bar with arched ceiling, barely larger than a shed. They believe it is one of, if not the smallest pubs in Ghent.
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The bar room fits a row of bench seats on each side, and just enough space in the middle to congregate if they are full. There is also a very cosy little mezzanine area up steps behind the bar. The terrace area on the square is very probably bigger than the standing area in pub itself. You will enjoy a great view of the square, sure, but you’ll be getting that the moment you leave anyway – it isn’t really the same as being in a pub, is it?
Despite the limited space in the main room, Galgenhuis boasts ample space in the cellars by virtue of the tunnels built under the Groot Vleeshuis for fishermen and greengrocers back in t’ day. There were, by some accounts, historical problems with the moisture, restricting its usage, but these days they boast of a refurbishment and as you may notice, the cellar can now be rented out for parties and suchlike.
Galgenhuis counts in my book as a ‘brown café’ due to the traditional furnishings and genteel down-to-earth atmosphere in the main room; very much a Flemish pub, but the history of the venue means it has been bestowed with additional historical features that predate the style. Cast your eyes over the impressive painted tiled walls and beamed ceiling painted with some rather threatening gallows-appropriate slogans in gothic lettering. This in my view takes it to another level. Our level.
However, while I love all of that, unfortunately the whitewashed exterior and the splashing of an – in my view – rather bland logo across the wall of the building sticks out a mile in front of some grand stepped-gable houses by the water front. I’m afraid the signage is not really in keeping with the tradition or the interior making the place look far more bland than it actually is. That’s disappointing, as they previously had Gothic signage, but it’s a matter of personal opinion.
This isn’t a concern once you’re inside however, as it can’t be seen. Believe me, if you’re lucky enough to find a seat in here you’ll feel like remaining for the duration. Perhaps it’s the modest size that makes it feel like the centre of the action, being so close to the water nearby and the goings-on in the street, it really does feel like being inside a capsule, one that might even detach itself from the town and leave you up to your neck in the Leie.
Perhaps this is because the bar area is set a half-level down from the street, and so with plenty of windows facing at ground level, it gives the impression of a grotto. In actuality this was to assist bargemen unload their wares – today it is merely an attractive quirk.
If you strip back the numerous eccentricities that add to the charm of Galgenhuis, you will still find a fundamentally sound pub that does the simple stuff well. A cosy room, jovial atmosphere, and during the evening that classic golden glow that emerges from time spent in a well-decorated friendly pub room and careful application of beer.
Speaking of beer, there is a small but decent selection of Belgian ales on tap, from Tongerlo (an excellent though not always common option) down to Primus lager, while hardly Pilsner Urquell in lager stakes, nevertheless preferable to Jupiler and is an acceptable fallback option if the dubbels, tripels and quadrupels are getting on top of you. Prices are as you’d expect for a pub in the middle of an affluent city centre in Northern Europe (ie. belt up), but the manager reminds me that a glass of Primus costs €2.20, in itself a very reasonable price for the city centre.
The bar staff carry out their job with pride, clearly in the knowledge they are playing their small part in the continuation of Galgenhuis. I also felt they were among the more friendly Ghent servers, while considering the places I visited. By contrast, the forgivably wonderful Den Turk (follow the link for our full review) boasts about its ‘Ghent arrogance’: impressive in print, but reflected in fairly charmless service in person. Thankfully basic pleasantries are still deemed fashionable here at Galgenhuis.
The central location means you can shoot off from here to half a dozen other bars and pubs within minutes, making it suitable for a pub crawl, but the high demand for seating puts the experience itself at a premium. If you are lucky enough to grab a table, why not bed in for a full afternoon session and get drinking?
Have you been to Galgenhuis? Agree or disagree with our take on it? We’d love to find out what you think – please drop us a line in the comments below or join the discussion in our Facebook group!
Picture the scene: Amsterdam in winter, one of those dire evenings when gales blow in off the North Sea all the way up De Pijp, whipping sleet in your face. Meanwhile, the going underfoot lurches from ice rink to quagmire with each step. Checking to your right for the cyclist that probably isn’t there (but inevitably will break your arm the one time you don’t bother checking) – and then left to see if any motorists fancy testing how well their airbags work. Each movement of your leg invites a splash of freezing sludge and fresh test of your balance.
Across the roundabout we spot a window glowing like a beacon, heat from the room condensing on the glass, the silhouette of drinkers and the sound of good cheer – it’s a pub – rarely has there been a more fine or welcome sight.
Shuffling precariously across the ice I spot the sign above the bar confirming the establishment and nothing can stop us now. While there isn’t video evidence to prove otherwise, you may take my word for it, I’ve never homed in on an Amstel sign with such vigour and enthusiasm.
Amsterdam is well-used to this appallingly unpleasant weather and therefore well-prepared in its provision of shelter and booze. In late spring and summer Café Mulder flings open its doors and spreads out into the street front, but on a night like tonight this traditional brasserie turns into a refuge.
Being hugged, wrapped in a fresh towel and ushered inside would be the ideal welcome, but the blast of warmth and prospect of a stiff drink ably substitutes.
The pub was as busy as it looked from the outside, full of folk relieved indeed to be anywhere except outside. Now, ensconced among a mixture of regulars and tourists, a drink and a chat will do the trick very nicely.
Seeing an Amstel sign would normally be a bad omen, but their sickly dross is ubiquitous in the city and it’s genuinely more difficult to find such a place that doesn’t also serve other, better beer. So, here you can choose between a pint of that insipid liquid or a smaller portion of something far nicer for the same price.
Outside of craft beer enthusiasts perhaps, it’s difficult to think that beer drinkers could be too upset by the selections here, especially as the place isn’t wholly beer-focused. The likes of Brugse Zot and De Koninck on tap, and at least 7 or 8 genuinely good bottles provide a stock that, while it could be better in variation and sizes, covers several bases well and isn’t going to let too many people down.
It’s nice to see that the place provides a small selection of food rather than turning itself into a dining room, so if you fancy wolfing down some soup, toasties or bitterballen (I wouldn’t blame you in weather like this) get involved. You can even get a hot boiled egg – very old fashioned and it doesn’t take away from the pub feel.
There’s a bit of extra character too with a pub cat and you’ll note it claims to be “the most authentic pub in Amsterdam“. A bold claim (not one it backs up in any way) but this is really for you to explore and see for yourself.
Ronald Pattinson of European Beer Guide fame – a man worth listening to about Dutch brown cafés – commented:
“I’m still regularly pleasantly surprised by Amsterdam’s pub scene. While simple, unpretentious cafés like this survive in such numbers, I’ll pass on the razor blades.”
Mulder fits into the brown café aesthetic beloved of the Low Countries but has a hint of the French brasserie to my eyes, with enormous windows and a more classically corner bar layout. The pub-like elements come from an impressively ornate bar area and shelf unit, the stylish old décor, rustic furniture and the type of socialising going on within, which certainly on a bitter night swings towards the communal. The sense of history helps too, with a lot of features looking turn of the 20th century.
London is blessed to have a huge number of pubs in the same way Amsterdam does, of a variety as-good-as-duplicated many times over. However, with a few exceptions, many of these London pubs have been made more generic by unimaginative owners or pub-companies, the scourge of character and identity. In London, I suspect this place would have gone the way of Nicholsons or Taylor Walker in the last decade and had its soul expunged, but pleasingly, one of the nicest things to say about Café Mulder is that it is not unique, it is not an oasis surrounded by a desert, but it’s common, frequent to find and that’s what makes Amsterdam still so thoroughly enjoyable. We should celebrate the fact that a place this good is only a notch above the mean average for a brown café in Amsterdam. Is this the inverse of damning with faint praise? I hope so.
Anyway, to boil it down, Mulder is a great place to go for a drink, and you know what? I managed to write all that without a single X-Files joke. Cheers!
Insomnia in the Romanian city of Cluj-Napoca claims the title of the longest continuing pub in town.
22 years (23 in May this year) doesn’t seem to me a long time in the life of a pub, so perhaps this has something to do with the turbulence of the revolution at the turn of the ‘90s, and/or a change in cultural trends? I am from a country where so many pubs have remained open over a hundred years or more, so this strikes me as peculiar.
Cluj-Napoca is a university town and so the nightlife reflects the demands of young people. You’ll struggle to find anywhere (deserving of the label ‘pub’ at least) where young and old people mix as they would in England, or indeed many other countries in Mainland Europe. In fact it was difficult to find the sort of old-man’s drinking hole you’d expect to see everywhere. Another surprise.
Insomnia is very much geared towards a younger crowd – if not young then young at heart – with bright, psychedelic décor, paint thrown up the wall Jackson Pollock style and giant lampshades covered in stretched Insomnia-logo t-shirts. About that logo – a not particularly discreet drawing of two animals humping. That aside, the place is funky and seems to have survived 15 years without looking overly dated.
You will notice from their website a rather esoteric mission statement (some of which might be lost in translation) which is reflected in the bar itself. It is the perigee between taking themselves too seriously and not taking themselves seriously at all. This must come from its early days as an art gallery. While the venue is now predominantly a bar, they still host events of varying flavours – book launches, poetry readings, the odd festival here and there.
The bar, as with most you’ll find in Cluj, is set up for sitting rather than standing, which means dealing with table service – not my favourite thing in the world. In Romania I noticed some people become rather upset when they have to order at the bar. Not sure why – getting drinks that way is quicker, direct and you can settle the bill there and then, saving everyone time and effort.
Insomnia also has a slightly different format in that they expect you to settle the bill upon the drinks being served, which took a little getting used to when most table service involves you settling the bill at the end of the evening. I can only imagine they have had some trouble with people leaving without paying – which again could be solved by switching to bar service!
The other gripe is that, quite alike other central European countries, it is possible to reserve tables in advance. Is this a good thing? In practice this hardly ever works well in a pub, as it deters people who haven’t got a reservation sitting in that spot until the reservation starts, costing the bar money and making the arrangement feel off-putting. Also, when the bar is really busy, save for two or three empty tables, simply because of a couple of reservations that may last for only one round of drinks, where is the logic there?
In Cluj, all beers seem to have arrived on the same lorry, so you can expect the local brew Ursus and its variants (which are okay at best), and other SABMiller-owned brands including some English beers. The choice here is neither great nor terrible – they have covered several bases, but after a couple of days in the city, seeing the identical drinks everywhere becomes a little dull.
Draft beer is also served in 400ml glasses, a cynical way of gaining 20% on every drink, and quite pointless given the bottle sizes are 500ml and often cheaper. It’s difficult to criticise Insomnia over any other Cluj pub for this, as it is unfortunately commonplace. The upshot is that most people order bottles, not draft beer as they are better value for money – given the expense involved in setting up a bar, this seems hideously counter-productive.
Insomnia also offer what they call “long draft”, 2.5l of beer arriving in an enormous trophy-like stand with its own tap which I saw a few people taking ‘advantage’ of. You know you are in student land when gimmicks like this pop up.
Anyway, moving back to the positives, Insomnia’s atmosphere inside is lively and well-paced, while the surrounding décor certainly helps keep things upbeat.
Insomnia is also based on the first floor of a historic building, which I often like as bars of that sort always feel quite bohemian. Outside the bar you will step out onto the balcony walkway of an inner courtyard, the typical sort of atrium you get in ex-Hapsburg cities (especially those with Hungarian history). This situation is appealling and adds to the experience.
Insomnia can be found just a few seconds walk from the main square, which is also handy as the main squares of European cities are generally host to far more corporate venues than this. Insomnia, more than others, underlines the all-encompassing young feel of the city, not to mention a European city centre that yet hasn’t been ruined by corporatising everything.
Maybe Insomnia will continue for another 23 years to come – and onwards – or perhaps the economic tides will sweep it away. I certainly hope to find it is going strong when I return, and hope it doesn’t take me 23 years to do so!
I strongly recommend Insomnia for your visit to Cluj, primarily as a fun alternative venue, and a strong all-rounder that does a lot of what it takes to be a good bar well, or really well.
Lastly, be aware Insomnia closes at 1AM, so if you are having trouble sleeping, you’ll need to move elsewhere!
While ruin bars may be synonymous with Budapest, other cities in Hungary quickly taken inspiration from the design and ethos – it was inevitable they would create their own version. Gázfröccs in Sopron and Csillag EzPresszó in Győr both prove that the bar has been raised. Roncsbár in Hungary’s 2nd city Debrecen, is the most convincing example yet that it’s worth leaving Hungary’s megacity to explore the nightlife in the provinces.
While I love an old boozer, such as Wichmann’s in Budapest, it must be said the standards of décor, atmosphere and amenities in Hungarian pubs have shot up dramatically since Szimpla et al arrived on the scene. Roncsbár (Roncs, meaning Wreck) immediately showed that its up to the task.
Established 2013, Roncs is both a cosy pub, a concert hall, a garden terrace and a arty streetfood courtyard, delivering the alluring appeal we love about ruin bars – a combination of rooms to explore as well as cosy areas to congregate. Unlike unsuccessful attempts to export these to the West, it doesn’t feel the least bit corporate, even when you add bouncers and plastic cups (we’ll get to that in a minute).
There is no shortage of ways to spend your evening here, whether that be for a quiet drink, for food, for music and partying, or games. What’s better, the bar is designed in such a way that it never feels like those people are clashing with each other.
While not as enormous as the likes of the Fogas Ház ‘party complex’ or the ruined mansion of Szimpla, there is a fair expanse of space, and just like those it’s exciting to walk through it all for the first time.
Entering via the front door of the pub, you could be fooled for thinking that’s all there is. It is very pleasant – nothing negative to report – the area is focused on drinks and socialising rather than food – fine by me. You’ll find exposed brick and slightly ramshackle wooden tables. The ceiling appears to be studded with cymbals from drum kits (or was I wrong?). There’s a lively atmosphere and if that was it, then Roncsbár would probably warrant inclusion on our website as an 8/10 pub.
But after you’ve taken in the indoors, have a wander around and look for a side door – this will take you into the entrance way for the ruin-pub aspect proper. The design suddenly explodes into an eclectic whirlwind of bric-a-brac and, if you pay attention, some finely-crafted artwork. The cherry on top of the cake is, in this case, a wrecked (get it?!) aeroplane which looks like it has been hung, interior contents an all, to the inside of the roof.
What’s better, is this is heated in the icy winter and well-ventilated, keeping the place comfortable at all times.
Carry on past the stalls to find a courtyard seating area which will appeal to anyone wanting to watch some sport (big screen, of course) and a terrace garden area – closed on my visit due to the snowy weather – but definitely a further area to spread out in spring and summer. Barbecue? Yes please.
Drinks are about on standard with most Hungarian bars, however their website boasts they have their own-label beer from Rendelkezik (Reindeer?) which I must admit I didn’t see. It’s still possible to get a standard lager for a fair price and nothing here, be it beer, wine or spirits will offend most local or foreign wallets. If you’re outside you will be made to drink it in a plastic cup – on the upside no-one has to worry about broken glass.
Service can be a bit rushed and impersonal in that way all popular places end up being, but that isn’t a reason to mark this place down.
Unlike Budapest, there really is only one place like this in Debrecen, certainly making it stand out. There will always be one or two people of a contrary or conservative nature who take a dislike to these bars. You can’t please all of the people all of the time, but Roncsbár comes pretty damn close.
I love being able to dip in and out of events that are happening, be able to get some fresh air, or have a sit down, and still be in the same place, and still have something interesting to look at.
Please note that Debrecen has a very lively, albeit dispersed nightlife and there are several pubs of a very different style that are also worth visiting. Please see HERE.
There are only a few bars that have earned our 10/10 score, and so congratulations goes to Roncsbár. Long live the Wreck!
In clarty weather there’s nothing more enjoyable than diving into a warm cozy pub. Franconia is no stranger to such climatic conditions and the pub offerings are generally designed with that in mind.
It is January after all, so when we emerged from the U-Bahn station at Rathaus (from our weekend stay in Nuremberg) we were faced with a deluge arriving from above. Fürth old town is a pretty one, with a classic Bavarian/Franconian appearance, clock tower, steep tiled roofs and timber-houses, enough for an hour or two pleasant wandering, but it took us only ten minutes stroll around getting soaked through before resolving that we needed to get to a pub – and quick.
After researching in advance I had one pub in mind as an outstanding potential venue – Keimling.
It’s a short walk from the stop and a pleasant one, along one of the main streets and then down a steep lane. A charming and enticing little lane spurs up to your left but carry on down until you see a small beer garden – you have arrived.
Keimling (translated as Seedling) is so named after a seed-trade facility which formerly existed on the premises. Evidence of this remains apparent as you walk in, with the drawers and cupboards re-purposed into the new pub structure, most notably to the left of the bar as a corner-bar top. The bar’s logo and mascot is a seedling emerging from a wooden house, which can be seen in wood carving in the corner to the left of the bar.
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I really like the use of space in Keimling. You’ll enter to find a small bar directly facing the entrance and inviting partitioned benches to your right. The alley leading to the toilets also manages to find space for a dartboard (N.B – careful not to leave the gents toilet without checking if a dart is headed towards your face!) There is a small standing area to the left of the bar with ledges and corner area with stools, which has been constructed from the cupboards and drawers I mentioned above.
Carrying on past behind the bar leads you to a subterranean cellar ‘snug’, a very characterful little quirk of the pub which I can imagine being handy for gambling and plotting – among other things. The rest of the pub space is a large, more communal back-room area akin to a quaint pub restaurant, with windows looking out over the street.
The style is rustic, a quintessential traditional pub of a kind you’d hope to see everywhere in Northern Europe, especially on a rainy day. Apparently the owner Wenzel has not altered this appearance since the 1980s; hopefully it will remain intact for another 40 years to come.
The rock soundtrack is a clever touch as it brings in a younger crowd and prevents the risk of the pub becoming too genteel and middle-aged. Staff also vary between young and middle aged so there is a nice communal mix, and it feels like the community are coming together, in that great way a pub should do. The music is also a throwback to the pubs long-standing connection with live acts.
It’s a typically Germanic thing to combine the quaint with the visceral – in this case the almost twee decoration that you’d expect to find in your Grandma’s living room with hard rock music.
Adding further to an impressive list of positives is the selection of beer. Not only do they offer the Franconian speciality Rotbier (red beer) on tap, but they offer their own label beer, Keimling Dunkel, a rich, thick and dark beer that was at once flavourful as it was easy to drink. You’ll note a host of other local ales, which are about quality over quantity.
Don’t sweat about the prices either. As with most places in Franconia a half-litre of beer rarely exceeds 3 euros 5 cents, considerably lower than in the West.
Service is assured and courteous, and despite being English ausländers they were kind to us – it’s a friendly place.
Keimling also offers food, a handy thing for any pub, though I cannot comment on that so much as my real interest is in the pub and the experience.
The optimum time to arrive in my opinion is between 7pm-9pm where you can watch the pub transform from sleepy (albeit with a rock soundtrack) to a bustling neighbourhood venue, with every bit of seating space occupied.
It’s always a great sign of a pub when it makes you feel like you wouldn’t want to be anywhere else.
If there was any room for improvement I would suggest keeping the volume of music down in quieter times. Many pubs believe loud music compensates when it is quiet, but I believe the opposite, it simply emphasises the absence of people while making it more difficult to speak. This is not a big problem with Keimling, but a little recommendation nonetheless.
Fortunately Keimling is very easy to reach, even if you are staying in Nuremberg, because the U-Bahn links to Fürth in a simple 10 minute journey, and Keimling is only 5 minutes up the road from there. There are pubs in the city I live in, sitting at work right now, that would take me longer to get to.
For my money it’s worth doing. Perhaps only WeissbierHex in Nuremberg old-town directly competes to a similar standard, so I’d say Keimling is the best pub in the Nuremberg/Fürth area.
As their website states, quoting Terry Pratchett:
“If you don’t turn your life into a story, you just become a part of someone else’s story.“
Now there’s a romantic philosophy to justify pubgoing, if ever there was one.
Have you visited Keimling? Any comments or suggestions? We’d love to hear from you!
Although you may read reviews referring to A Baiuca as a restaurant, the homely open-kitchen style, late-night drinking and the music-focused atmosphere make this place definitely worthy of the name pub – indeed the doors themselves present A Baiuca as a ‘Taberna’, which is near enough to meet my threshold.
That said, there is an entrance fee which covers the flow of wine and ginjinha and the musical main event, Fado, dramatically mournful Portuguese folk music which translates as ‘destiny or fate’, but symbolising a bohemian, or vagabond lifestyle, signposting what you might expect in the performance.
This may seem off-piste so far considering the beer halls and pubs covered on the blog, but be aware I have offered a degree of latitude to this venue on account of the authenticity and character, and I am seeking to provide a broad range of options.
Lisbon’s traditional working class neighbourhood the Alfama is the perfect setting for a place like this. Wandering up and down the maze of winding streets on the hillside is atmospheric at any time of year.
A Baiuca is not the easiest to spot at night – I remember we ended up locating it by peering through a metal garage door which seemed to correspond to the co-ordinates after wandering around in a circle. The front door itself was shut, but after a couple of knocks the owner met us at the door and arranged our seating, only after payment was made.
At the time of the visit our fee was 10 euros which at the time seemed very reasonable considering the wine and music were both very good.
We gathered on a communal table in a small room, most places taken already, and were made to feel welcome with a couple of glasses of red wine. There is no stage, and the musicians simply perform in the corner of the room. Each song is dramatic and passionate and the performers looked extremely well practiced at the style. An overkill of maudlin music doesn’t seem like the basis for a night out, but the songs are short, melodic, often intense and were received enthusiastically by the room.
There are a great many corporate joints in the city centre offering Fado performances in a large restaurant with a full sit-down meal, and while there is always a place for that, this is where to go for the real McCoy, stripped back, homely and raw, following an unbroken folk tradition.
After considering the experience overall, I think aside of the entrance fee, it occupied a very similar social space as going to a pub, both in terms of the homely working class surroundings and manner of drinking.
Our visit extended long into the early hours of the morning leading to a very uncomfortable wake-up call the following morning to the airport!
There are a few other traditional Fado venues in the Alfama, which I am sure warrant exploration, but I can strongly advocate visiting here if you prefer real and rustic above sheen and pretension. Finding this place on our final night in Lisbon more or less made our holiday.
P.S – I would recommend reserving tables if there are more than two of you, or if it’s the off-season with it being such a small space.
Anyone with a mild interest in the European bar scene or the city of Prague will no doubt have heard of U Zlatého Tygra (At The Golden Tiger), the historic Czech pub and city institution based slap-bang in the tourist hub of Prague’s old town.
Reading about the pub’s stories, its literary connections and seeing the photos of Bill Clinton and his ilk tucking into schnitzel and beer sat among locals may generate a degree of excitement alone, but I will be up front with you about the good – and not so good – aspects of U Zlatého Tygra.
Let’s begin with the good stuff first, of which there is plenty!
The pub signage with its bas-relief tiger and gold lettering is striking and one of Prague’s true icons. The sign indicates not only the business but also the historical identity of the building, which pre-dates its current use. The interior has hosted various previous operations such as a patriotic café and reading room before the second world war, and undergone rebrands such as U černého tygra (The Black Tiger), U kopáčů (The Dice), and U Kraftů (The Craft) in the past. Its literary leanings continued through the 20th Century, not least due to the patronage of writer Bohumil Hrabal, (now made permanent life President) who had a favourite area of the pub in which he would hold forth on the topics of the day, and just as often sit there quietly absorbing the atmosphere and consumed in his own thoughts. Hrabal passed away shortly before the turn of the century, but the pub keeps his memory alive in the best way possible, with tributes that are lovingly well-pitched but don’t turn the place into a shrine.
The entrance is based down an alleyway rather than on the street-front which I generally quite like as this increases a sense of cosiness and clandestine activity, vital for building the atmosphere in traditional venues like this. Heading inside, the design and layout is an archetypal Czech pub with communal tables, bench-seats installed along the walls, wooden panels, cream (going on yellow) walls and those curved arches so typical of the pivnice style. The stained glass windows (with tiger insignia) allow light in but effectively block out activity from the busy street, creating that cocoon-like feel that most of the best Czech pubs offer.
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Look around and note many framed photographs which present the three key themes of the pub – tigers (of course), famous patrons from sport, art and politics and, as could be predicted: Pilsner Urquell. This lager, while brewed by Plzeňský Prazdroj in Pilsen, not in Prague, is nevertheless synonymous with Prague and Czechia due to its ubiquity. The Golden Tiger was only the second pub in the city of Prague to secure a contract to service it so there is a long-standing connection not likely to be severed or altered any time soon.
When you consider the old town mean average price for a half-litre of Pilsner Urquell, the prices here are fair-to-middling given the central location, and the first pint of it arrives without your say so (as does a second and a third unless you make a point of putting the mat over your drink). Beware, if you turn up thirsty you could easily find yourself processing several glasses in short order. This is one of those pubs where it’s virtually impossible to leave without at least two.
A slight quirk is an insistence on using 0.45l glasses meaning they gain 10% on each beer. Annoying and cynical, but not worth fussing over too much.
The place sells very little else to drink (see their menu here), and even has a policy of not serving spirits! Highly unusual as nearly every other pub in the country will offer you at least Slivovitz, Becherovka or Fernet Stock.
U Zlateho Tygra was for decades and up until the war a bit of an all-boy’s club, refusing women service and directing them to find the nearest cinema while the menfolk held forth in the pub. However, this culture was broken in fittingly macho fashion by a woman called Lady Helenka, as the tale goes:
“She came here with her fiance Vaclav Prymek, who was an officer and an army pilot. When Lady Helenka was stopped at the door, she promised to keep track. And when the waiter counted the lines on the bill, there were 44 of them. Lady Helenka managed 22 beers that evening, as did her future husband. The waiter laid a white napkin in front of Helenka on the floor, kneeled down and said: Madam, this seat by the counter will always be yours, even if the Egyptian king Faruk comes in.”
22 pints? Sounds crazy but you wouldn’t rule it out.
Now some bad stuff. A famous pub is, as you’d expect, a popular one, with the problem that it cannot accommodate locals and tourists at the same time without losing its appeal pretty quickly. Therefore they have struck some form of compromise.
You may or may not be aware that Czech pubs permit reservations even for the right to perch on a bar stool. This system, so unlike the first-come-first served approach in English pubs can result in disappointment. At U Zlatého Tygra you may as well forget even trying to turn up in the evening unless you have reserved your spot well in advance, though it may be worth enlisting a Czech friend to help secure that.
In the evenings, as there are reservations it feels almost like a private member’s club where you need to stay all evening to get full value for the exclusivity.
Here comes the compromise: there is a way in but it relies on your being prepared to begin drinking mid-afternoon, not always everyone’s favourite starting point. Turn up at 2.50pm, 10 minutes before opening time, join the queue (which at this point may be snaking around the front of the building), and if you’re in the front 30 or so you should be assured of a seat unless you’re in a large group. If you see people pushing in at the front then choose whatever retribution you see fit.
This may not be a concern of yours, but I feel a certain duty, given that I am waxing lyrical about the place, to point out that U Zlatého Tygra is not a museum, and the enduring appeal is because it is not spectacular but authentic and traditional. Even though there is some nice stained glass and a sturdy preserved atmosphere, it’s hardly La Sagrada Familia. Therefore, treat it as the pub it is meant to be – eat, drink and be merry. If you show the staff the respect you would show a host who invited you in, you will not be badly treated.
Inevitably, the authenticity can be occasionally vandalised by some tourists who believe it to be a fairground ride instead of a pub. Their behaviour is offset in amusingly curt fashion by the servers who adopt an uncompromisingly stony-faced approach to anyone who isn’t their mates and anything they regard as bullshit (quite a long list).
This is – depending on your point of view – chauvinistic, deeply cynical in order to maintain their asset, or their absolute right as publicans.
While this can be intimidating, consider it a pushback against the place being overrun with tourists and gentrified, as it surely would be without a little resistance.
While it is easy to have a pop at tourists, in one sense their custom helps keep the philosophy of the place alive – people from all walks of life sitting around together and enjoying themselves. The pub website explains further through this anecdote:
“There is the story, in which the pre-war French Prime Minister Herriot visited U Zlatého Tygra. He was accompanied by the section chief of the Ministry of Foreign Affairs, a permanent guest U Zlatého Tygra. They bought pork neck with bread and mustard and fitted incognito in the beer hall . While Herriot was drinking, showed to the opposite side and said : “There is sitting the chair of the Chamber of the Deputies of the Parliament Malypetr, but the gentleman sitting next to him I do not know . ” – The section chief said: ” There is sitting a master of painting from Melantriška. ” Herriot greeted again and then whispered : “But there is sitting the president of the Administrative Court , but the gentleman next to him I do not know. ” Also the guide did not know. Then their neighbour to the right said:” This is a manufacturer of funeral lamps from Karlovka. ” – Surprised Herriot turned to that neighbour and asked : ” And who are you ? “That gentleman raised up his glass and answered” I am a caretaker from Skořepka, please . ” – Then the Prime Minister declared : ” Gentlemen, fault! Democracy is not in France but here ! “
Once the crowds are seated, and after their first beers have been extinguished the atmosphere inside quickly gets going. Among them, comfortable and surrounded by the excitable friendly crowd, with dishes of hot food emerging from the kitchen, it really feels like the place to be.
Whilst seated you will note a stout tapster working flat out to replenish glasses, pausing the flow only to greet and converse with the stamgasty whose presence ensures this most Czech of pubs stays that way.
Due to the tourist trade it’s not somewhere I would choose to go every week – there are other places to go in Prague for an authentic traditional pub experience, without the hype and tourist hordes (Hostomicka Nalevarna, for example, which you can read about by following the link), but there’s no doubt the Golden Tiger has a certain sprinkling of magic borne from its history and ultimately its significance. Try it on different dates and times of day in order to work out when to absorb the most local flavour. As hackneyed as it is to say, you can’t really miss out on a pint in U Zlatého Tygra while in Prague. Which, as discussed above, means two. This really is a pub to be reckoned with.
Rue Des Flandres, in St. Catherine quarter is a great road for a bar crawl, host of several venues varying between good and great. In my view Au Daringman belongs to the great category, not only for the street but for Brussels more widely – I know, high praise in a city jam-packed with great bars.
The primary reason I reach this view is that despite the bar scene across Europe turning increasingly corporate, this brown café still feels like a personal venture. Despite being surrounded by crowds of people, passing trade of tourists and the daily grind, Au Daringman supplies an oasis of calm, moody contemplation during the day and an alternative-feeling cosy haunt at night.
Upon arrival you’ll note an attractive red exterior with old Stella hoarding, partly obscured by the greenery cascading down the front of the entrance, a look which is typical for a street with plenty of side-alleys and greenery.
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In the afternoon the bar is managed by the charismatic Martine (the pub known locally as Martine’s or Chez Martine), the managing in the quiet hours extending no further than being propped up on a stool reading a newspaper or a book, filing her nails, peering over the rim of her specs and drinking coffee.
On first appearances there doesn’t appear to be all that much maintenance required of Au Daringman other than a morning clean, watering of the plants and the odd keg change/clean of the lines, but it is clear the enterprise is a labour of love.
This café is so named because the original owner was a boxer and member of the Daring Club de Bruxelles in the 1950s and 1960s, a Molenbeek-based football club whose players were referring to as the Daringmen. Read further here.
Au Daringman also proves what a solid basis the ‘brown café’ is as a concept to work outwards from. Let’s compare other Brussels venues: Le Coq is the archetypal Belgian boozer, Monk is an elegant historical recreation, and Au Daringman is the off-beat jazz era cousin, with artistic leanings. Yet all of these still belong to the same pub family.
There are lots of interesting touches to the decor, from the cubist textured wood paneling, to a board with what appear to be scores from a local table football league. Apparently the bar has been going since 1942 – it looks like most of the bar hasn’t been significantly altered since the 1970s.
The simplicity extends to the beer choices on tap – it’s very standard stuff. Stella, Leffe, or Hoegaarden. In Belgium at least, all three of these are a reasonable standard.
While it may not be apparent – at least not during my visits – they also boast a host of bottled drinks, some of the well-known Trappist, Abbey and lambic Belgian ales along with some lesser-seen ones such as Gageleer.
On my last visit I spent two hours here quietly, with no book and no telephone function (imagine that in this day an age). The beautiful simplicity of sitting among the wood paneling and minimalist jazz memorabilia, enjoying a beer and alone your thoughts sums up what Au Daringman is about during the day. Au Daringman wants to make you feel at home, but also quietly oozes cool.
While the bar becomes a lively place in the evening, almost transformed in doing so, some essence of the place goes missing when it is crowded. However, that goes with my impression, which may not be yours. As with Monk, I recommend visiting in the early evening when it begins calm then slowly starts to bubble up.
Despite Instagram cataloguing the world, you won’t find much online presence for Au Daringman, as presumably its location on Rue De Flandres makes advertising superfluous.
Yet another brilliant Brussels bar and an essential visit on the ‘brown café’ circuit in the city.
P.S – Sadly Martina does not own the building itself, so this is a bar that may be on borrowed time. All the more reason to visit while you still can!
Evenings in Olomouc are a tough time to get seated. Wherever you turn, each hostinec, hospoda, pajzl, minipivovar or výčep seems to be full. It is no exception when it comes to U Kuděje. Yet, frustrating though that is, there is all justification to persevere as you are searching for a drink in one of the best pubs in the city, if not in the whole country.
At first appearances Hospůdka U Kuděje may seem unremarkable. A Czech pub in a half-step basement of a very Czech city building? – seen plenty of those before. Wooden furniture from the Austria-Hungary era, with traditional ruralist décor? A well-trodden choice, too but the true quality of U Kuděje is the combination of a number of smaller things contributing to a greater whole, known as genius loci, or spirit of a place. Which we will now come to.
U Kuděje is not based slap bang in the centre (it could potentially lose a fraction of its charm if it were) but a short walk west on the fringes between Olomouc’s old town and a residential neighbourhood west of Čechovy sady.
U Kuděje is named after the writer Zdenek Kuděj, the closest and perhaps long-suffering friend of Jaroslav Hašek, who were both part of an anarchist/bohemian literary scene in the early 20th century, so is a fitting tribute to someone who spent huge amounts of time in pubs. You will find theirs and others’ works available to read (in Czech, of course) within the pub. Here is a short explanation of the pub and connection to the writer: http://www.memorialmatejekudeje.cz/?cat=14
Drop down a short set of stairs outside to the basement level and enter, where the bar area greets you immediately, with a list of beers attached above the bar. The place feels warm and bunker-like and you will almost certainly find people sat at stools around the bar, and a cast of regulars sat on tables to your right. To your left is a small lounge area with people deep in conversation and set into the ritual of the place itself.
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The pub has the atmosphere you’d expect from a neighbourhood dive and you’ll quickly notice from the interactions there are folk sat around who know each other well. This in my opinion is the core of the pub’s appeal, the warmth and simplicity of a social scene that people invariably seek out when given the choice.
A busy pub full of locals can be intimidating at first, and if you can’t see anywhere to sit you may be forced to hang at the bar (also awkward if there is no leaning room). Take a full look into the pub and if there is a spare seat ask “je tu volny”, and hopefully someone will yield. If you arrive as a group in the evening without a reservation, then all I can say is: Good luck. Yep, unfortunately Czechia does not do first-come-first served in pubs and will reserve tables for loyal locals at the expense of fly-by-night tourists and turf you out of your seat when the time comes.
U Kuděje’s big thing – atmosphere aside – is a focus on regional Czech beer, which is very good news for any fans of unfiltered and/or unpasteurised lagers (me). Offering 5 or so on tap at any one time, this is a sensible number that helps ensure freshness, and a little rotation for new and recurring brands. The beers are also served on porcelain plates built with recesses to collect spillage – this is very old fashioned but seems to be making a comeback of late.
They may try to suggest that these beers are good for your health but quite frankly, who cares? If it makes you feel better then yes, yeast can in theory help repopulate your stomach with good bacteria. However if you need it repopulating because of an excess of beer the previous night then that rather negates the point, doesn’t it? Prices are reasonable, perhaps on the high side for Olomouc, which isn’t a problem given Olomouc is an extremely affordable city.
The pub snacks at U Kuděje are typical for Czech pubs – expect the usual cheese, ham, pickles but keep a look out for Moravian cheese if that’s your thing, as that’s quite the regional speciality.
Lastly, take a look at the opening hours – few places open later on a Saturday than they do during the week, but U Kuděje is one of them This place is does a short 5 hours service on weekends, and opens at 3 during the week. This makes it doubly difficult to try and get into.
Although U Kuděje may be a tough nut to crack as an outsider, I personally couldn’t think of too many pubs on my travels I’d prefer to make the effort to ingratiate myself in. You’ll find the true atmosphere and camaraderie of a mixed crowd partaking in a time-honoured tradition, rate authenticity, not to mention enjoying some of the freshest, well-kept and well-poured lager available.
Have you been? Any comments or suggestions? We’d love to hear from you. Please get in touch, particularly if any of the above requires amending.
Claiming to originate in 1602, the building itself containing The Seven Stars has survived The Great Fire of London, and – just as impressively in my view – the next 400 years of change unscathed, all the while serving as a public house. It’s a remarkable feat that places it as one of London’s core heritage pubs.
Many pubs trade on their history, (and that of The Seven Stars is an interesting read) , without backing that up by being an enjoyable place to drink in the here and now. Thankfully, The Seven Stars is not one of those places: it’s a little cracker.
Carey Street has a row of townhouses that are overshadowed by the enormous London County Court, Royal Courts of Justice and LSE library, so it is quite easy to wander halfway past The Seven Stars before realising. It’s a very quiet street and doesn’t seem the most likely place for a pub to be situated these days, though that makes it a perfect venue for those in-the-know. The frontage of The Seven Stars is squat and compact with the predictable (but entirely appropriate) gothic signage. It looks like a small place and it is – there’s no TARDIS effect once you walk inside.
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Although micro-pubs may now be reversing the trend for enormous, open plan pubs, none of them are made quite like this old thing. You’ll walk through the entrance to find a low-beamed venerable establishment with a bar directly opposite the entrance, and a narrow space set over two rooms. There are stools to sit at the bar and drink, and tables decorated with checked tablecloths and candles (a little dressy for my tastes, but it did make me think fondly of Den Turk in Ghent, which is not dissimilar).
For the last decade or so, The Seven Stars has been the domain of a ruff-sporting and locally famous pub cat who sadly passed away not so long back. Nevertheless, I have been informed a new cat has entered the premises! If you venture into conversation at the bar with the owner Roxy, she may expand on the and possibly get into the tale of one punter who mistook the cat bowl for bar snacks. Don’t be shocked – anything can happen in London.
The décor and ‘lived-in’ nature of the pub is where most of its character comes from, a pleasingly ungentrified and carefully preserved sense of welcome that tends to strike an immediately positive impression with people regardless of any preconceived ideas. This impression is important to cling onto for when you order a beer (or food), because those London prices hit hard and hit deep. This isn’t worth singling The Seven Stars out for, however, that’s just how things are. It is worth bearing in mind a lot of lawyers drink here.
Nevertheless, you’ll find a set of well kept cask ales from regional breweries served via hand pump – it’s a decent if unspectacular range which will keep you satisfied for at least a few.
In a similar way to Whitelock’s in Leeds, the toilets are located above the pub itself via a satisfyingly creaky staircase, where you will also pass by the kitchens and a room crammed full of odds and ends. By any standards these days (particularly London’s), this is a characterful and individual place that isn’t interesting in the Farrow & Ball school of interior design or repainting itself to remain ‘on-trend’ every ten years.
As mentioned above, the pub is popular with local lawyers and court staff, and due to the small size you may find yourself unable to grab a seat. However, trade is brisk in the evenings so be patient and things will move along – grab your chance when you see it. There’s nothing like being seated to enjoy the atmosphere of a tangle at the bar in a traditional pub such as this.
As the lights from the outside dim, and those from the inside take over, there can be no question of whether this is a pub of outstanding merit.
Although The Seven Stars may have lasted 400 years, the obnoxious pace of gentrification in the last 30 years means that pubs like these perpetually under threat from people who simply want to run poor facsimiles of bars they’ve seen elsewhere. This is a pub that demonstrates the importance of being your own thing. That’s worth something.
I’ll leave you with this anecdote from their website:
“While enjoying a few Friday afternoon wind-down drinks, a group of 15 or so lawyers (young ones) entered the Seven Stars awkwardly and decamped nearby. There then began a cacophonous symphony of table and chair scraping, until they had blocked all passage in or out of the bar. Regaling of a most competitive flavour followed, ever louder, underwritten by a desperate, pleading “notice me” subtext. Its volume only matched by the ethereal transparency of its content. We drank up and moved on – our seats snatched hungrily into their possession before we got to the door. Congratulations, you’ve emptied the pub! Not all lawyers are like this, true, but this was selfish and shameful behaviour. Hopefully, few noticed.”
Have you visited The Seven Stars? Any comments, feedback or suggestions for our write-up? Please get in touch!
Soviet-themed bars have quickly become a staple part of the Eastern European bar scene. It must be due to the tonnes of old communist bric-a-brac that has been purloined from flea markets over the years. It’s remarkable how quickly this ephemera has been regurgitated, often in an apolitical way. Now, shorn of the memory of state repression, paranoia and hardship much of the era’s junk has been re-purposed and exhibited, capturing people’s nostalgic fondness for the idealism, optimism as well as the iconography of the era. Ideal for adorning a moody Polish bar such as this one in Poznań.
Proletaryat isn’t exactly lined with volumes of DasKapital; instead you’ll note a large bust of Lenin staring at you out on the street. Enter to find a display of fairly impressive social realist paintings, disproportionately large portraits of Lenin and Marx, hung in front of rich crimson paint, with emblems and military insignia thrown in. The central bar area also expands further into an interesting looking terrace-style back room where the cool kids hang out, that seems a little separated from the central premise.
There may be a vague leftist feel to the crowd here (perhaps its just the students) but in the main it does seem to be led by decoration rather than a hotbed of any political grouping.
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That said, the decoration is impressive nonetheless, it’s a very stylish place to go for a drink, without being particularly pretentious. The crimson and lamplight works well for a shady atmospheric slow sup, while at night it gets more raucous and one of those truly buzzing city centre bars where the lack of space and abundance of booze creates its own head of steam. This is a great example of decoration that allows a venue to work well in different ways at different times.
The location down one of the main city centre streets means it feels in the middle of the action – which in Poznan is pretty bloody active. You can expect to witness the type of revelry usually preserved for English city centres on an evening. It was quite an eye-opener, but I had previously been warned about it by some Poznanites (Poznanians?) during a separate trip to Wroclaw (another excellent city). The levity doesn’t emerge from English stag parties or boys-on-tour either – in Poznan it’s mainly locals doing their homespun thing. Wodka i piwo can be a dangerous combo.
Aside of the tongue-in-cheek atmosphere, Proletaryat offers its ‘own’ beer as well (from what I can gathered, this is brewed elsewhere at Browar Czarnków and labelled accordingly), which is cheap even by Polish standards nowadays. The jasne (light) and ciemne (dark) beers are both fresh and well balanced. Not the finest ever brewed but tasty certainly and designed to knock back in volume. Apparently the vodka is served with a pickle here if you are interested in going native.
Any pub crawl around Poznań would be improved by a stop off at Proletaryat, as despite the increasingly familiar concept of the Soviet-themed bar, a good concept doesn’t stop being good just on account of its familiarity. Besides, they do a decent job of and it feels like its own thing rather than a cookie-cutter version or a clone-bar. If you haven’t been to one of these type of places before, then go at least once for the novelty value. If you already have and enjoyed it, then this bar is not to be missed!
‘Vycep Soukenicka’ in a previous life, it seems this spot has served as an in-the-know local’s pub for quite a while before this recent rebrand.
The new name springs from a village south west of Prague, Hostomice, which isn’t much further along than Karlstejn and its enormous castle. You could decide on a trip out if the weather’s nice, but when they’ve set up what is ostensibly their Prague tap house in one of the nicest old pubs in the city centre, there’s a convenient excuse to stay put.
I urge you to mark this pub on your map of Prague as this area of the city between Josefov district and Florenc metro is a little short on pubs worth a damn. I often find myself having to head through it, and invariably choose this place as the pub of choice.
The difficulty is, once you move east from the old town (let’s say, from U Parlamentu/U Pivnrce) area and through Josefov, the traditional Czech pubs disappear and are replaced by cocktail bars and glamorous-looking (but probably seedy) ‘gentlemen’s’ clubs. Josefov is a fascinating district for many reasons but purely on pub terms, I wouldn’t get your hopes up. This malaise extends past the Powder Tower and the Štefánikův bridge to be honest, all the way into Karlin. With one notable exception.
For traditional Czech drinking (the kind where you’ll be rubbing shoulders with normal Prague folk while chugging pivo) the newly christened Hostomická Nalévárna is the best option in that half-mile radius. If you’re planning a pub crawl, particularly if you’re staying near Náměstí Republiky this place will be a godsend to help join the dots together. In fairness, it isn’t a long walk from the old town anyway.
Pivovar Hostomicehas a great reputation for their beer, which is handy given there aren’t any beers from other breweries available at this pub. From the several visits I made they offered an unfiltered 10° světlé výčepní (light lager), 12° světlý ležák (premium lager) and a 13° tmavy, (or dark) lager on tap as a general rule. They may have specials on rotation but if they do, they weren’t exactly advertising the fact. I’m just glad when I visited in March, no-one was drinking green beer, (brewed every Easter and bafflingly popular, even among locals).
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Their prices are a steal considering it’s Prague city centre, with their 10 degrees light lager as good as being £1 for a half litre, and the others barely a few crowns more. This good value extends to the other options available, such as the wine (which my partner found almost as cheap as beer elsewhere around the city).
One of the more intimidating things for a tourist, leaving the traditionally large pivnices in Prague city centre behind and heading to a local drop-in pub is the more direct interaction with locals, and this is something you’ll need to factor in during your visit. Knowing your p’s and q’s goes a fair way in Czechia. The tapster here is a polite enough young man who will speak in Czech if he thinks he can get away with it but is hospitable to outlanders who play by the house rules. He serves as both tapster and server given the small size of the place. At the very bare minimum, muttering ‘dvyeh piva prosim’ will procure two of their light beers. Fresh, unfiltered and delicious, I may say. The unfussy branding and lack of a corporate feel reminded me of the often brandless, but out of this world fresh Kellerbier and Vollbier you can find in Franconia and Bavaria.
Moving onto the pub itself, it’s a small cosy sort of place with a small bar on your left as you walk in, and a compact seating area in behind. Click here for a quick slideshow from the brewery’s facebook account. I managed to be seated on each occasion I visited which seemed unlikely given the place seats perhaps 25 people at most, and is never empty. The amount of wood you’re surrounded with is typical of these kind of places, and a look I enjoy very much, even if I do wish they offered cushioned, upholstered seats like most English pubs.
The folk around you vary from quiet couples in their 30s, jovial groups of youngsters and old folk playing cards and setting the world to rights. A classic cross section of people who appreciate the virtues of a traditional pub. There’s a big TV hanging at the back of the room for if the going gets dull, which will be playing whatever sport is going. There are those desperate moments in life where Japanese basketball or youth curling competitions suddenly become diverting.
I enjoyed the fact that they hadn’t been bothered to remove or paint over the old sign, which is entirely appropriate as they haven’t done anything to the interior either. That may have changed (and some evidence suggests it has) but the interior remains pleasingly old school. All the Hostomice stuff seems merely transient, which gives me the hope that even if for whatever reason they cease as an ongoing concern, another group will come along to keep the fires burning.
You can see from the scores at the top that the place is a decent all-rounder, the only shortcoming being a relative lack of amenities, but this comes with the territory. Each pub deserves a license to be what it wants to be. Not all pubs need or desire to serve cooked food, or host events. Sometimes a cosy seat, a good cheap pint and a load of old wood is all that’s required. Hostomická Nalévárna is there for you when those times arrive.
This place typifies that often impossible urge to drop in to one more pub on the way home, that is so beautifully brought to life in Czech literature.
Pub goers everywhere, rejoice in the fact places such as this exist! Use it or lose it….
Have you visited? Any comments or corrections? Please get in touch via the comments or our Facebook page!
For all the blabbering on we could indulge in about such things as décor, history, live events, and so on, it is occasionally easy to lose sight of the more humble qualities of a good pub, those of simplicity and authenticity.
A bar’s interesting décor can sometimes divert from the expense or low quality of the drinks, occasionally the unpleasant atmosphere as well. All too often a pub’s history is used as a fig leaf to disguise the fact the interior has since been vandalised and transformed into a chain-operated place devoid of character. A lot of pubs run a pub quiz, food nights, karaoke, live music but are thoroughly unappealing nonetheless. That’s no magic bullet.
It takes a degree of resolve these days to run a pub that doesn’t bother with half of that, isn’t trying to be anything it’s not, doesn’t care about mythologising, widening demographics, or trying to get each customer to pay the absolute limit of what they’re prepared to.
It would be tempting to call such a place ‘quaint’ but there is a patronising element to that word, bordering on ignorant, which I dislike, and which Briody’s doesn’t deserve. I didn’t think Briody’s the least bit ‘quaint’ on my visit. It is however a simple honest boozer that has thought about what to improve,what to keep and what to maintain very carefully.
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I like the small size – you have a small lounge area on your left, in front of a bar stretching along the room, with comfortable upholstered bench seats lining the wall. It is as big as it ever needs to be, and has a degree of cosiness without ladling it on too thick. It’s a nice lounge, your living room with a bar and a few other folk in it, essentially. Perfect for quiet contemplation, reading, good conversation and so on. There’s an upstairs which I understand is for hire for students cramming for exams, meetings and so forth.
One thing you can never tell from the outside of an Irish pub is how good it’s going to be once you walk in. Nearly all of their exteriors have a rather studied look, with the ubiquitous Gaelic script, or at least a typeface aged enough to suggest a traditional interior. However, this often has little to do with what you’re presented with when you walk in, and it takes a keen eye to distinguish your plastic paddy pub from the genuine places frequented by locals.
One commonality in Dublin, is the sight of a ruddy-cheeked, broad-chested man of borderline retirement age doing the serving, usually dressed very smartly in a plain Daz-white shirt, black trousers and shiny shoes and belt. There’s a certain formality to this which conveys command. Maybe not wholly consciously, but I believe that’s intentional.
These fellows are usually quick-witted and not short of a few comments to make, especially if they haven’t seen your face around their pub before. It’s usually jovial jesting at most, and you’ll notice the standard of welcome in Dublin a notch higher than most European cities, apart from perhaps the most tourist-ridden places where the demand on the service and the churn of staff makes that difficult.
No such worries at Briody’s – taking a seat there feels like you are being added to a painting. Here’s where you find your more raw Dubliner accent, blue language aimed at the Gaelic footy on TV, and most thankfully, an excellent pint of Guinness. You know you’re in for a good pint of the stuff when the cream on top forms an almost-film like layer when it settles. It’s not cheap in Ireland these days, but a pint is cheaper in Briody’s than many places elsewhere in the city centre. Anything like that is welcome on the wallet.
This explains why locals head down here (many of whom the bar staff know by name) but there are other factors. Despite being 5 minutes walk from the Spire on O’Connell Street, most locals don’t venture down Marlborough Street running parallel, instead sticking to and clogging up the main arteries of the city. Given other areas of the city are studded with pubs – mediocre ones – all of which are crammed full, it’s a strange feeling that somewhere like Briody’s could plough its own calm furrow, almost hiding in plain sight.
“Setting foot in the pub, you immediately feel like you are on familiar territory. Just like wandering into your grannies, you know you’re in good hands. The interior is typical of a good local boozer; tiled flooring greets feet upon entrance before a pristine carpet overtakes the rest of the floor space. Lighter wooden tones are well complimented with beige embossed wallpaper. The seating proved to be tremendously cosy in its simplicity while classic drink brands and sport are the themes exhibited in frames upon the wall. We took a particular shine to a bittersweet portrait of Paul McGrath seen in his heyday sitting at an unidentified bar holding a creamy pint aloft.”
It is one of those pubs that you wouldn’t see what the fuss was about until you’d spent a good while visiting the so great many mediocre ones first.
Comfortable, authentic, friendly, and simple. That’s the way it is, and the way it wants to stay. Perhaps deep down they may not welcome me saying this, as this is their refuge rather than a tourist hub, but here we are. I can’t ignore you.
Have you been to Briody’s? Any views, or corrections? Please get in touch on the comments below or via our Facebook page!
As Lviv brought the kerosene fuelled gas lamp to the world in 1853, it is only fitting that this is expressed in the city on some level. You’d expect a museum to be the best place to exhibit this but slightly surprisingly it takes the form of a bar – Gas Lamp.
Although aspects of the display are museum-like, to all intents and purposes the gas lamps are for decorative purposes, with little information on their design or origin. I have visited some pubs and bars which featured information labels on their antique without making the venue too stuffy-feeling (U Veverky in Prague, for example), but in Gas Lamp, providing you are here for a drink over and above a history lesson, you don’t feel like you’re losing out for the lack of information too much. Besides, the venue holds one of the biggest collections of gas lamps in Europe, so there is a lot to look at.
On busy evenings, an old man in a top hat, holding his gas lamp will guide you past the ‘fathers of the lamp’; two bronze statues, one of Jan Zeh sitting at his table (by the front door) and another, if you look up, of Ignacy Lukasiewicz poking out of a third-storey window. Read about their place in history here.
You are then led downstairs into a cellar. Counter-intuitively you have to crouch under what appears to be blackened rock, only to ascend a spiral staircase into the ‘bottom’ floor, which is on the first storey of the building. When you reach it you will notice a traffic light system, which appears to be there to stop customers bumping into each other halfway down the stairs.
Gas Lamp is set across several small floors, which reminded me of De Garre in Bruges (in layout rather than design), one of which is dominated by a bar, and another which appears to be a penthouse apartment that has been converted into a covered roof terrace. There is a coherent theme but each floor has a slightly different feel so don’t leave without being nosy and having a look around.
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On the top floor you emerge level with what appears to be a sea of slanted rooftops which may well be impressive during the day as much as at night, but night time is a great opportunity to look at the Armenian and Russian churches lit up strikingly. There is a naturally rather rarified air to being on the top floor so it may appear a little more towny and flash in comparison to the cosier downstairs rooms. Regardless of this, it is well worth rubber-necking.
Outside of the eponymous gas lamps, décor is an interesting blend of chunky chalet-type wood, with rafters, beams, bannisters and communal tables, but the lighting is more modern, with yellows, pinks and purples spotlit and backlit among shelves with other assorted valves and measuring equipment. I would rather they lit the gas lamps to be honest, but it’s not a bad effect overall and is more impressive than the images you’ll find online.
Drinks wise, Gas Lamp offers shots in a row of test tubes as a gimmick (make of that what you will), and a well stocked bar for cocktails and the like, but I opted for Pravdaand Lvivske’s beer offerings which are still reasonably priced for such a central location. That’s not difficult however, as from a Western perspective nearly everywhere apart from the airport is reasonably priced.
Gas Lamp serve food, although I found the location to be far too dark to contemplate getting anything there other than emergency snacks to soak up the beer. I don’t really see the appeal of arriving here any sooner than sunset to be honest. Night time is the right time.
Staff are well used to tourists and speak decent English, however there were issues getting their attention. Sadly unless you go direct to the bar, you’re stuck with table service, an always retrograde format that slows everything down unnecessarily. That isn’t isolated to Gas Lamp however, but pretty much everywhere that also serves food.
The city of Lviv offers a night life replete with themes and gimmicks, and yet another rears its head when you pay the bill. A ‘bomb’ with a short fuse is lit when your bill is presented, and you can enjoy a puff of flame, cracker-type pop, then a mix of smoke and incense fills the room. Unnecessary of course, but characterful. European Bar Guide is after all very keen on places which don’t settle for mediocrity. Some places would never get away with this but it felt amusingly dorky.
Exciting, ever that little bit different, popular enough to have atmosphere but also spacious enough to give corners for quieter evenings, Gas Lamp is a very successful execution of its concept, and with one or two tweaks could really push towards being a 10/10 venue.
It comes highly recommended but as much as we bang on about it, we’d love to hear your stories from Gas Lamp and Lviv – please get in touch!
There’s a certain appeal to a corner drop-in pub that’s not much except a load of wood. Wooden floor, wooden ceiling, ledges, barrels, seats, bar front, and so on. In that respect King Grizzly is like the spit n’ sawdust saloon bars of old, just with a hell of a lot of good beer added and a stricter policy on spitting.
Being small and located slap-bang in the centre of Florence doesn’t yet appear to have rendered King Grizzly overcrowded, or over-subscribed.
The comfortable rather than crowded feel may be something to do with the purposefully growly and unprepossessing fuzzy bear exterior which cuts against its surroundings, the stately middle-aged grandeur central Florence lined with cocktail bars and ice cream parlours. The upturned barrels and snarly logo probably put the Aperol Spritz brigade off spending any time here than strictly necessary, while the exterior building has a certain anonymity that you could walk past a dozen times before noticing there was a bar there.
Don’t confuse any of that with a criticism – it really isn’t. What this means in reality is that anyone in the vicinity who is after a real pub experience and a good beer can enjoy both of those in comfort without struggling for seating room or access to the bar. It also allows something very central and liable to be swamped with passing trade to maintain its identity.
The personification of King Grizzly seems to be the chap behind the bar, one of those younger bearded sorts where the beard makes him look wise beyond his years. Affable, helpful, and – unlike nearly all Italian bars and restaurants – he will give you a glass of tap water rather than charging you for mineral water. Mr Grizzly can guide you to a beer that you’ll like, which was particularly useful during my visit as my partner was still struggling to get into beer. An Italian double-wit beer and a salty Germanic Gose later, and progress was being made!
Yes, this is a craft beer place, in that most of the offerings are from the ‘craft scene’ as it were, rather than traditional breweries, and are priced accordingly. However, none of the prices should scare off any English tourists who these days are used to spending £5+ upwards on terrible lager elsewhere, and when you put it into context, the prices are perfectly reasonable considering the excellent quality. If you ever needed persuading that Italian beer is getting its act together, you will leave this pub converted.
They are available in piccolo, media and grande size as well (wot, no Gigante?), which is a blessed relief given some English pubs unwillingness to pour strong beer in anything lager than a half-pint. Don’t look angrily at me if you’re asked to pay many euros for a pint of 8% beer though.
The general idea is that all the beers cost the same unless stated otherwise, so there’s a skill to determining which one is best value for that price. Or if you’re not a Scrooge like me you can just pick whatever takes your fancy.
Expect a really wide selection of styles as Grizzly thankfully has time for German and Belgian styles as well as the usual US craft offerings. Being super-critical, putting on a good Czech pale lager wouldn’t hurt. These places often define themselves as anti-lager which is a shame as there are so many wonderful ones. However, other than that, most bases are covered.
Music selection is eclectic without being irritating, and does a decent job of keeping enough people entertained, and despite central Florence being a sleepy place during the evening, (even in the height of summer), Grizzly remains open until 2am.
It’s one of those places where it’s easy to meet and talk to other people to, where you can say you met as strangers and left as friends. I think this has something to do with the half-seating, half-standing format as you are only ever a swivel or glance from becoming part of a conversation. It’s a fun place to hang out and an example of how a good pub and a good beer brings people together without the need for vacuous ‘glamour’.
It’s great that a place like this can be directly in the old town of Florence, a mere stone’s throw from Piazza della Signoria.
Anyone seriously interested in pub going and spending some time in Florence cannot look past this place on a crawl.
Have you been? Agree with the above comments, or perhaps know some things about the place I don’t? Please do let me know! Comment below or go and join the discussion on Facebook!
Whatever you think of beer marketed as “craft” whether good or bad, you can’t deny the popularity.
However, in Germany, the reinheitsgebot or Purity Law limits the brewing ingredients for anything marketed as beer to malted grains, hops, water and yeast alone, with the knock-on effect of limiting the range of flavours and experimental culture now associated with the umbrella term ‘craft’.
Germany has some terrific traditional beer styles along with a parochial and proud attitude, so this has contributed to a slower and more gradual acceptance of auslander beer made from different hops and yeast strains, of a different tradition and with a wholly different character and nation of origin.
Bierwerk, in Nuremberg attempts to straddle both the old and the new, with fresh, almost brand-free Franconian kellerbier on tap, while offering more modern brands, even a few Belgian, Czech, English and US beers. This is refreshingly open-minded for a city which has suffered a few notorious periods of extreme intolerance and superstition.
Bierwerk has an envious situation, looking out over a beautiful city square gently slanting towards the south bank of the Pegnitz river. Unschlittplatz is pretty with timber-framed houses surrounding a small fountain. You may forget this is the centre of a very large city as it genuinely feels as though you could be in a small town.
It isn’t the traditional bierhalle venue you may be used to, but neither is it a wholly corporate or alternative one. Clearly some care has gone into making it appealing to a wider audience, which is partly successful, but I have to include some criticism – the branding and the décor errs a little towards the generic for my tastes.
Bierwerk is thronged in the evenings where the volume is raised, and while you’ll find a generally post-uni crowd, some middle-aged folk enjoy visiting too which gives a nicer sense of welcome.
Once things get going it’s a fun venue, with a large tree trunk where you can play the ancient game of hammerschlagen, the objective being to drive a nail fully into the log with a wedge end of a hammer before the other players can. There’s also a hook-swing at the far end of the room where you have to try and get the hook over the horns of a bull on the other side. Both of these become fiendishly difficult after a few drinks.
Bierwerk is a smaller venue than you might think from the outside, so be prepared to employ a little patience if you want a set – meanwhile, the bar area is decent enough if its not too crowded, and there is some leaning space around and about.
People are here for the social scene primarily, which goes on until 2AM on Fridays and Saturdays, which is as it should be. Bierwerk brings undeniably some of the freshest I’ve ever tasted. I enjoy the fact that there is an effort to market the original ‘craft’, the local, independent, unbranded, un-Punk variety. While you may prefer a 11% smoked peach sour, or one of their 150 bottles behind the bar, I’ll be ordering a half litre of Franconian kellerbier, which will redefine your notion of freshness. Bierwerk also have a partnership with a local brewery so you will find some of their own branded beer available to try, which should please some tick-box checkers as well.
Prices, as with Franconia generally much fairer in comparison to the North and West, so their regular beers won’t set you back much more than 3 euros 50 as of 2018. There is a small but reasonable offering if you don’t like beer (including beer cocktails) so as to ensure no-one is feeling left out.
If you absolutely have to, they will put together some food to wash the beer down. I’m sure you know what’s coming – choices are cheese, sausage, or wait for it…cheese AND sausage!
Franconia and Nuremberg itself are slowly marketing itself to a wider audience who will give it a try over the big cities and Bavaria and are extremely cheap to get to from the UK via Ryanair. From my experience it is well worth it, with beautiful unspoilt countryside and picturesque traditional towns which survived the war without too much damage. Nuremberg itself has a large old town, not all of which is old, but is a fun and yet laid-back place to be.
I wouldn’t recommend Bierwerk on account of its décor, and there are some issues with the level of comfort and design which could be improved, but I strongly recommend visiting for terrific beer and lively atmosphere. It’s a great way to meet people and at quieter times the bar staff will dispense some of their local knowledge. This elevates the place above the day-to-day craft venue which is content to be cold and industrial in style and cliquey in feel.
Bierwerk is an interesting meeting point of old and new and therefore an enjoyable and strongly recommended venue. Prost!
Amid a shower of mediocrity Whitelock’s is a beacon of preservation and tradition. You might call the place an object lesson creating a characterful pub.
Whether Leeds is serving up mediocrity in the form of cut-and-paste industrial chic craft ale venues or boring chain pubs, you only have to look at Whitelock’s to tell the difference between a here-today-gone-tomorrow fad, a Greene King IPA/Sports screen piece of gentrified nothingness and character of a sort that endures. Read the Historic England listing if you don’t believe me.
Whitelock’s itself was first founded in 1715 as The Turk’s Head, and served as a city centre mainstay in the Georgian era, although you’ll find the current state more akin to late Victorian in style, with mirrored panels, stained glass, tiled bar and tarred black wood, a strange halfway-point between the opulent and the down-to-earth.
The pub functioned as a ‘Luncheon Bar’ after being taken over by the Whitelock family in the 1880s, and in the daytime the place has much the same feel as it would have had a century ago; a bustling busy atmosphere (partly due to the compact space) with food service and drinking intermingling. Whenever you visit you always feels like you are part of a grand old tradition.
Situated down of one of Leeds many arcades off Brigate, the pub used to stretch along the length of the yard, albeit part was rarely used for years. It’s a narrow snaking venue, now effectively two bars, one of which is now a stylish cocktail and craft ale bar called The Turk’s Head in homage to the original name, but which typifies everything Whitelock’s isn’t – this may be a good or bad thing depending on your preferences. The pub can be approached from either side of the arcade, although I recommend approaching via the Trinity Centre entrance where it is hiding in plain sight surrounded by modernity. You access a quiet corridor, still called Turk’s Head Yard, which builds into rabbit-hole like escape from the noise of the street and shopping streets – it really makes you feel like you’ve been transported back in time. You will find benches outside, which can be nice to sit out on a warm evening but are not the main reason for venturing down here. Head inside and chance your arm at finding a seat – not always the easiest easy task in here.
The crowd at Whitelock’s rises and falls in swells. In the space of half an hour the scene at bar can change from a breathless tangle vying for space to calm and sedate. It’s really quite interesting to spectate.
The bar area itself is unusual and –of course– old-fashioned. Despite the pub having a low ceiling, the bar itself seems raised above the level of the pub so after pulling your pint it seems like they are lowering it down to the bar top where you are stood. The toilets are accessed via a narrow little staircase at the end of the bar, which is quirky, almost like being on a ship rather than a pub.
The best beers by far in Whitelock’s are the cask ales, as the lager offerings remain a little behind the times. You’ll find some of the classic real ales kept well on cask, along with some interesting local options. They have some forays into what are deemed ‘craft’ styles, and a sister partnership with the (in my opinion) bang average Five Points, but the guest cask ales feel far more in keeping with what the place should be about.
Although I am largely interested in a pub as a place to drink, for a change, I would like to enthuse about the food. They have put a lot of thought into how to bring the idea of Luncheon menu into the 21st century, and have largely managed it, with most dishes having an English pub heritage, and they use fresh ingredients, the majority of which are sourced from Kirkgate Market, which shows in the flavour. You pay for it, yes, but it’s well-prepared. It isn’t just a generic pub grub place, as Leeds University alumni and restaurant critic Jay Rayner remarked in his review.
It doesn’t stop there, as Whitelock’s and the Turks Head now host beer related events, annual festivals and suchlike, so you can’t go around Leeds for too long before your head is turned back to Whitelock’s.
Once you’re inside and sat down, with only the dappled light coming through the frosted glass, you can really soak up what is an extraordinary environment. With it being a typically cosy old pub, this works particularly well in autumn and winter – once holed up it won’t feel like there’s any reason to move elsewhere. Whole afternoons and evenings can come and go here supping quality pints of ales safely swaddled by its comfortable surroundings.
Whitelock’s is by far the best of the category ‘traditional pub’ in Leeds and due to its very particular preserved features and it could stake a fair claim to being one of the very best in the United Kingdom.
In the ‘40s and ‘50s Whitelocks was a haunt for artists and has been deemed characterful enough to be a subject of artistic study, as this vivid artwork demonstrates. John Betjemen, who always had a taste for the preserved, compared Whitelock’s favourably to another venerable public house, The Cheshire Cheese in London: a ‘less self-conscious’ equivalent.
I have linked to a 1968 video documentary of Leeds, ‘A Poet Goes North’ where this features. Highly recommended as a terrific watch.
In 2006 Whitelocks was awarded an overdue Civic Trust plaque for historical importance. Therefore, if the team running Whitelock’s can deal with all this level of praise magnanimously then I assume my more modest inscription on European Bar Guide won’t alter their unabashed heads-down on-with-the-job approach. Viva Whitelock’s!
Going out for a drink on the Dalmatian coast invariably involves choosing from a selection of Caffe Bars, which may have amusingly goofy names such as ‘TURBO’ or in one real life instance ‘KUM’, but in practise provide a nearly identical offering that defines the term Generic. After a few days anyone interested in good beer and good pubgoing will be tearing their hair out in frustration (I’m bald, so have to improvise) trying to find somewhere characterful.
Sibenik’s nightlife offerings are in the main, no different. There’s a beautiful Riva with patio furniture so you can relax by the calm seas and people watch – fine for a while. When it gets colder and darker, venturing inside becomes necessary, and it is then where the particularly poor beer selection, poor music choices and absence of interesting décor or atmosphere starts to grate.
Azimut is Sibenik’s alternative antidote to all that, a club and live music venue of sorts, with offbeat décor inspired by Hungarian ruin/garden bars making the most of its cellar situation nearly underneath the main square. I have recently been informed the basement used to be the town’s well/reservoir for water which explains the high ceilings very well! (Thanks to Azimut’s Facebook group for providing that information)
As with a lot of places on the Croatian coast, it doesn’t really get going until the summer, but even out of season there is a core crowd you’ll find lining the bar chatting and messing around, and a side room which is geared up for live music but also has games involved. The eventual end feel is relaxed, open, fun feeling and the sort of space you want to hang out and could make friends in.
Despite the basement situation there are tall warehouse-style ceilings which makes me wonder what the place used to be used for. However, they’ve done a good job with the décor, with impossibly high shelves, hanging umbrellas, books and bric-a-brac making it feel homely whether it’s busy or quiet, meaning the venue is quite versatile, capable of coping with live music performances and bustling custom in summer or acting as a down to earth neighbourly bar off-peak. Perhaps their slogan ‘Find Your Way’ has this in mind.
Another good thing is Azimut’s opening hours, carrying on until the early hours of the morning, which is long after the rest of the city has gone to bed, meaning there’s no need to feel obliged to shape your evening around arbitrary time constraints.
There’s what counts for an interesting selection of beers around this end of Dalmatia, with some imported bottled English ales making an appearance, however it was short on Croatian craft beer at the time of writing – only Tomislav was available, which is tasty but too strong to spend all evening on. Again, this is a fairly low bar to pass given most places in Croatia serve 3 or 4 awful beers at most. Azimut’s prices are a few kuna more than elsewhere, but given it’s a distinct venue and slap-bang in the centre of town, that’s unsurprising.
Edit (9.7.18)I have recently been advised by the management they now stock Croatian craft beer – happy days! Until my return the score for drinks provisionally goes up to 7/10.
Given young Croatians enjoy going out in the evening, and Sibenik is starting to attract the attention of Western tourists you would think there would be more than one venue like this, but so far the nightlife remains largely bland obsessed with creating modern aspirational lifestyle bars to create that ‘summer vibe’, but ultimately blend in to one and project mediocrity and cheapness rather than glamour.
Hanging out in Azimut is like breathing fresh air given those otherwise stale options. It’s clear that quite some imagination and bravery obviously went into creating it, and any stay in Sibenik by anyone desiring a beer and a good time in the evening must involve a visit here. As TimeOutpoint out, every Croatian town should have an Azimut. I’d extend that to every town full stop.
Opinions of Pisa tend to be mixed, which is a shame as the airport provides an excellent conduit for people to explore Tuscany, but often people venture no further than the Piazza Dei Miracoli before moving on. It’s certainly true the Tuscan idyll of cypress trees, rolling hills and gently worn villas is perhaps not best demonstrated in Pisa, but that’s not to say the town is without charm, far from it.
The city centre is certainly one of those places that feels like it gets taken over by young people at night. Yes, you can sigh at the peeling plaster and graffiti in some of the classical piazzas that have become a bit grungy but there is a certain verve and energy Pisa offers in compensation for that. It’s a good night out.
Beer isn’t Italy’s strong suit, however it has belatedly begun a concerted effort to catch up. When you have a little think about why it’s suddenly taking off, it makes sense. The young seek good beer out in Italy for a few different reasons. Wine is seen as the preserve of the middle-aged and middle class, increasingly more of a drink to enjoy with food or a particular occasion or season, whereas beer is more casual.
Of course there are those looking to be a bit hip and different for which beer offers an opportunity to pose and stand out/completely conform among peers. Boiling all that down, the main appeal as I see it, is that quite honestly beer and aperitifs are a better option in a hot country over the course of a long evening. It is still the case that in Italy good beer is a bit of a novelty, but craft beer has been riding the crest of a rising wave for a few years now.
Pisa’s very best exponent of this is Orzo Bruno (a play on words with Orso meaning Bear and Orzo meaning Barley) not just a place with good beer on tap, but a really, really good pub. In order to find Orzo Bruno you naturally find yourself wandering into the epicentre of the city’s nightlife. It’s a nice walk in, as you can feel the volume and excitement level gradually rise. You’ll find the pub and its unassuming exterior perched down a side-street, yet in the thick of the action.
Inside, it’s an informal affair with pinewood type seating falling somewhere inbetween modern and ramshackle. In the summer heat the windows and thrown open and there are tables and chairs outside. As with all great pubs, everyone looks like they’re having a good time. The best of all, it looks and feels predominantly like somewhere Pisans go themselves, with a ring of authenticity you just can’t fake.
On tap you’ll find local Italian brews for a decent price – their predilections for strong beers and German styles ensures you can purchase some strong, tasty stuff for quite a lot less than you’d expect. Wit beer, red beer, doppio malto, it’s nice to go to the heart of interesting Italian brewing styles and have a genuine isolated and authentic ‘Italian beer experience’ in what is a nice pub.
These are brewed at a co-operative brewery Il Birrificio Artigiano, an excellent idea still common in Germany where provincial beer enthusiasts have occasional use of shared premises of a scale capable of delivering decent volume. These beers are usually unpasteurised and unfiltered, which is fine because they aren’t designed to last, but to be drunk straight away! You may even find oddities such as attempts at cask conditioned bitter served by Angram hand-pumps.
There’s a little something extra on offer too, that a lot of English people won’t be used to. It’s difficult to find complimentary anything with a drink in England these days, yet in Orzo Bruno dig into a veritable platter of snacks laid out on plates in front of the bar to enjoy with you beer from 7pm onwards.
Spain and Italy are insistent that food must in nearly all cases accompany drink, which is not my view, but offers a change of speed. You may want to consider leaving some room after your evening meal to enjoy the range of snacky bites on offer. It’s a quick way of adding on further poundage on top of the calories in your beer, so don’t go over the top!
Orzo Bruno works well whether at day or night, which is typical of places of its kind that stay low key and informal. You could pop in mid-afternoon and read a book with a pint of head here at 11 in the evening with a group. It’s just an all-round good place, reinforced by the enthusiastic patronage of locals. They also do discounts between 7-8.30pm, which is much later (and therefore better) than most happy hours in England.
The colour, energy and sheer distinctiveness of ruin bars should be enough to sustain any young visitor to Budapest for several visits. However, this doesn’t mean that the fundamentals of good pubs should be ignored. I broadly agree with the maxim ‘a change is as good as a rest’.
Wichmann’s Pub – an antithesis of a ruin bar – stands on the very same district as the original conception. As with a lot of these kind of places, it’s so inconspicuous that you could be halfway inside before you realised where you were. There’s no point building up something too much where the main qualities are simplicity and value.
It’s worth taking a look online before you go, because many of the pictures of the pub make it look faintly modern, partly due to the shade of the lighting and texture of the wood. When you arrive you’ll realise that it’s rather more traditional and worn with age.
From the street it is fairly inconspicuous, you’ll see only a golden glow of light from the exterior, through patterned tinted glass windows. Quite old-fashioned. Wichmann is one of the last original, authentic Budapest bars from before the fall of the Iron Curtain, before tourism, before capitalism, before AirBnb.
What you’ll discover inside is one of the most no-bullshit pubs in the city. Cast your eyes around its ever-ageing wooden edifice, nice vaulted beams towards the back of the room and a small bar where a venerable and portly man (presumably Wichmann himself) serves you the beer.
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Everything about the beer ordering, serving and presentation (or lack of it) is so many fathoms short of façade and showyness it’s endearing and actually, downright hilarious. However, dig beneath the service and you’ll find many a punter going into raptures about the service and the place in general. According to WeLoveBudapest, if you’re offered a shot of palinka, it is deemed the height of rudeness to decline. There you go – you have been warned!
Wichmann’s pub is owned by a famous Hungarian Olympian Tamás Wichmann, with 3 medals in canoeing, famous enough to supplant the place’s previous name ‘St. Jupat’. Wichmann himself was bequeathed the pub for his achievements instead of a pension, by virtue of how the old system was arranged for retired sportspeople.
As you’d want, demand and expect, a place like this is good value, and one of the few non-generic pubs in the district where the prospect of a good beer for a quid remains feasible. Here you can choose between a bottle of Pilsner Urquell or a German-style, Budapest-brewed Brandecker on tap for that price – not bad at all.
After service it’s really all about the drink and the chat. The more friends the merrier. It’s one of those places that needs a few groups to drum up a merry atmosphere, that without music and conversation can be absent, but when its are kicking off, it feels like you wouldn’t want to be anywhere else. That cosy glow of wood and old lights makes you feel right at home. It’s also nice to be among a mixed crowd of different generations, rather than the exclusively under-30 crowds of most ruin bars.
You will find a small snack menu, serving only the most basic food so rudimentary as to be impossible to cook badly, all focused towards your desiring of further drinks. Meat sandwiches, schnitzel, along with chilli beans on a Thursday.
The opening hours are pleasingly traditional: 6.15pm onwards, closed all day Sunday, and yet open until 2 in the morning all other nights. A nice illustration of the mass of contradictions going on. It’s a late bar that opens when it wants to.
You’ll find it difficult to wrench yourself away from the ruin pubs but honestly, give this place a go if you fancy a calmer, more authentic Budapest pub experience. Beneath all the glitz and frantic excitement it’s nice to drill down and spend some time among locals grumbling away and propping up the bar. This is a last bastion sticking two fingers up to gentrification, and all the better for it.
Unfortunately – and this is the sad part – it appears time is running out, and the old man is due to retire at the age of 70. Wichmann‘s will remain open this summer 2018 before closing its doors for good. It seems central Pest has no remaining call for a down to earth cheap hangout pub. It’s your last chance to be part of a wonderful tradition, as the district will never be the same again. 1987-2018
Be prepared for a climb up to this pub unless you’re approaching the pub from Crookesmoor (in which case you may have had a different climb of your own). Blake Street is steep enough there are handrails for assistance, which given Sheffield’s propensity to snow up on the hilltops, is probably a legal obligation of some sort. Your reward is on the corner at the top of the street, and during your ascent you’ll see the Blake Hotel sign sticking out on the corner, looming ever nearer, the proverbial dangling carrot.
Although the journey is more arduous than most pub visits, you will struggle to find a better reviewed drinking hole, even in Sheffield, a city packed full of brilliant pubs. The glowing reviews from the public are well-founded, as The Blake Hotel is a classic example of a neighbourhood pub designed and run by people who know what they’re doing. Resurrected from its boarded-up state in 2009, the cellar dug out, foundation and floor replaced, this end terrace boozer is alive again and rewarded with a stream of loyal custom.
The recipe for success is so simple and pleasingly disinterested in all things gentrified. This is the case with the family of pubs in Sheffield run by James Birkett, including ,among others, the Wellington at Shalesmoor and Sheaf View in Heeley, the former I haven’t yet visited, the latter of which I highly recommend.
While The Blake Hotel may be in all respects a traditional pub, don’t expect it to be crowded with horse brasses or tarred black. Nor – while it has a history – is it obsessed with and trading off its own mythology. The décor is kept tastefully low-key and lounge-like, retaining a homely neighbourly pub feel and having an instantly appealing atmosphere upon entering the place.
The lounge room in the Blake – to your left – follows that reliable template of of dark green wallpaper, mid-brown furniture, cream walls and ceiling. There are a few large picture frames and the odd pot here and there to remind you you’re in a pub, lending it a hint of the pastoral/domestic. There is further seating opposite the bar and tucked up a couple of steps to the right, in comfortable down-to-earth surroundings. You may find a few board games to help you pass the time if you see fit. It’s what such a place should be, a living room with a bar attached.
The bar area is compact but with the aid of some partitions they have crowbarred some leaning space and put in a few bar stools which are pleasant enough to gather round.
The drinks offerings remain very good value at the time of writing. You’ll find several cask ales for sale well under £3.00 a pint – partly down to a connection with local Neepsend Brewery. There is plenty else to go at if that isn’t your thing – including some harder to find European lagers – though take a look behind the bar at the decent whisky selection which should turn a few heads.
Once you’re sorted for a drink have a sit down and a chat in the comfortable environment of the Blake. There won’t be any music playing or games machines whirring away, just the background hubbub of a friendly crowd, the classic sound of a harmonious pub, people having a laugh and a good time. Even their pub quiz has a rather old-school stentorian format: no microphone, just a man shouting 20 questions in fairly quick order.
The Blake will always remain a neighbourly, low-key place, so it’s for locals and those in-the-know. Staff and the customers seem to be all part of the same machine, with some local characters milling about, and a nice blend of different people who all seem to appreciate the surroundings.
It’s truly amusing to think of the lengths the likes of Greene King go to to attract as many demographics by making their pubs as bland and cookie-cutter generic as possible. Focus groups, marketing managers, surveyors, master craftsmen… when this alternative is so simple and effective. It never really died.
Blake is the kind of pub that has been boarded up/converted across the country – indeed for a short while it remained closed, possibly for good. You never know when the wind will change direction and threaten the Blake’s existence once again, so all the more reason for you to visit and pass the flame on.
The Blake Hotel does nearly all the important things really well. When it’s your turn to visit perhaps take a few photos or a video, send them on to the head offices of the various huge pubcos attaching a small note simply stating ‘Now this is a Pub.’
Edit: (14/06/18) I’ve been reliably informed the Blake’s beer garden is a nice spot with views over the Don Valley. Unsurprising given it’s at the top of the hill.
The ‘Little Bear’ is located in the centre of Zagreb’s old town and offers by far the best example of a pub around these environs. Otherwise, your options are identikit café terraces or the odd raucous rakija bar. To be honest, a night out spent solely Zagreb’s old town would be pretty bland unless you dedicated yourself to drinking shots, or visited this place.
Mali Medo acts as brewery tap for Pivovara Medvedgrad (translates as Beartown), named after an old fortress in the hills North of the city which has undergone a rather appalling renovation, but is worth seeking out for the view over the city.
The brewery, operating since 1994 precedes the craft beer craze and concocts a range of different beers – including their own attempt at Kriek – highly peculiar by Croatian standards where anything outside Euro Lager seems to be regarded as otherworldly. Their beers aren’t unpleasant but they’re some way short of the wider standard these days and a bit ‘last generation’. Nevertheless, a couple of the more traditional styles are competent enough to put away a few of, and the extra flavour and freshness will come as a relief after drinking the likes of Karlovacko everywhere else.
They operate a number of pubs, but the best of the lot is, in my opinion Mali Medo in the centre of town.
The pub itself has a typical pivnica look, dropping down off the main cobbled street to a large half-basement area with a curved ceiling, and some partitioned niches with bench seating (one of my favourite pub features) along with the typical long tables you’d expect of a central European cellar pub. Mostly, the décor is in-keeping with inn-keeping, wooden framed artwork on the wall, and traditional furniture, a step above bland. It’s suitably cavernous in order to cram in the many hundreds of people who flock to it daily – worth a reminder at this stage that it is the number one venue slap bang in the centre of town.
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As there is a beer terrace out front with much coming and going the atmosphere is very noisy and lively, sometimes pierced by live music performances. The upstairs area serves as a stage, with performers opening the windows to serenade people on the street. Very unusual and atmospheric. You get the picture that this is one of the cultural hubs of the city. Be warned, if you’re after peace and quiet, this isn’t the place for you.
As with most pivnicas there is food available. Sometimes this can turn a place too much like a restaurant, but here it blends in with people turning up for a drink of beer better than some others, and as the evening progresses you can tell this is chiefly a drinking spot – good.
Considering the hustle and bustle, service is actually not too bad until it comes to the point of paying, where you almost have to grab the staff by the lapels and shove the money into their pockets. As per usual, table service slows up the whole arrangement. This is a very inefficient method when you compare it to those mega-brauhauses in Germany and Austria where a tapster and a token system means hundreds can be catered for by just a few people, or simply an English pub with a big bar where you can walk up to the bar staff and order – sort yourself out rather than relying on others to carry a glass for you. Unfortunately in Eastern Europe there appears to be an unwritten rule that one must never ever approach the person pouring the beer, or expect them to be able to operate a till.
Any place, city, town or village automatically feels enhanced by a centrally located brewery and/or its taproom, and this is certainly the effect Mali Medo has had on Zagreb old town. There is some work to do on the beers themselves, and it would be nice to see a few more pub touches, just slightly, to add character. It wouldn’t be an 8/10 unless there was some constructive criticism to encourage improvements. Aside of this, it still remains an essential, indeed desperately vital place to go for a beer in Zagreb.
Even those of us committed to pub-going find it daunting (though enjoyable) to explore Prague’s enormous pub scene. Tearing oneself away from the high quality known favourites such as U Hrocha or U Cerneho Vola is difficult enough in itself; given a holiday may last only a few days, you could be forgiven for sticking to the known favourites.
However, several visits in, I am starting to chip away at the available drinking holes the city and can strongly recommend doing so for the many gems that exist outside of the most touristic areas.
However, Jelinkova Plzenska Pivnice or ‘U Jelinku’ as it is more colloquially known, was a bit of a blot on my copybook, a core old town pub I had known about since 2007 recommended in Prague Pubs as being an authentic Pilsner Urquell pub in the heart of the old town, but never visited.
By rights I ought to have paid a visit in the early days, but for one reason or another, things got in the way. This is partly down to the unconventional opening hours, quirkily being open only until 6pm on a Saturday and being closed altogether on a Sunday! Though inconvenient, it gives you a flavour already that this is a pub doing whatever it wants, to hell with the consequences.
Finally, after multiple occasions I ensured I paid a visit in December last year. Firstly, as with all the best Pilsner Urquell pubs, it is virtually impossible to leave after a single pint, the devil on your shoulder always telling you to go for one more, combined with the Czech habit of inviting you to have another the moment they spy you getting to the end of your glass.
Jelinkuis a tiny pub and so when you visit don’t be surprised to find standing room only, if that. As you walk in you’ll find a square wood-panelled bar area and walls sparsely decorated with some classic Pilsner Urquell ephemera from decades past. There is an old fashioned open bar area with a sink where the tapster Bohumil Kundrt does his work.
It’s all about having a beer na stojaka, ‘on the stand’, so you greet the tapster, order the inevitable number of beers required, pay straight up (unusual for a Czech pub) and take your beer for a lean with your mates. Simplicity defined.
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It seems to be a family operation, and the main tapster’s appearance is appropriately a caricature of a pre-war central European maestro, a rotund, smartly-dressed fellow of borderline retirement age with white hair and a majestic and comically-curled moustache, helping transport you back in time to the good old days of Bohemia, which is very much where this pub would rather exist.
The site has been a pub since 1918, with the Pilsner Urquell contract drawn up 8 years later, remaining ever since.
One of the recurring features of these throwback places is treating tourists with a tolerance rather than an open arms embrace. If you can stand some-good natured jesting and accept you are in the domain of the tapster and his stamgasty, who are perched by the bar having a chat and a joke, you’re assured of a good time nevertheless.
Many of the regulars use their visit for conversation, so you may find one or two chirping up in English to get a conversation going. This is one of the hallmarks of a great pub and it is this unique environment, almost forcing people together at the bar area to drink and talk which acts as the ice-breaker, so vital for a sole travellers in a foreign country.
The Pilsner Urquell is as good as you’ll find it anywhere, and you may find the format of standing results in you drinking more of the stuff than usual – that and the nerves, I guess. At 46 crowns for a pint, it’s on the high side of pubs still catering for locals rather than tourists, but if I told you that equates to £1.50 a pint I’m sure you won’t quibble! Don’t even bother asking what else is on to drink, as there isn’t anything. You’re on Pilsner or spirits – that’s it.
There is a room around the back which receives table service (it will either be the rakishly thin lady or the more comely lady of the house who is in attendance). Access to these tables can depend on reservations and at a loss of that, good luck. Though I haven’t yet had the pleasure, it looks a truly pleasant place to be with seating facing in around the room creating that feel of conviviality you’re searching for when you try pubs like this. The format is simple and effective. Why do so many other places make genius loci seem like alchemy?
Though Prague is currently experiencing a wave in characterless craft beer bars, and has an almost bottomless trunk full of cheap but featureless macro-brewery branded drinking holes, you can’t walk far before a true pub hoves into view. The real job, as I’ve been finding, is being able to sort the wheat from the chaff, and knowing when is the best time to be there.
Jelinkova deserves a high score because it is so different from the usual, it rewards perseverance and the best time to be there is simple: when it’s open. If you’re up for a good time, not a long time, the pub is right up there as the best in the city.
Following 6 days in Austria and Slovenia as covered in Part 1, the next 6 days of our Big Trip of 2023 were spent in Croatia – firstly in Varaždin then the capital Zagreb!
Day 1 – Ptuj 🇸🇮 to Varaždin 🇭🇷 – Rail Replacements on Good Friday?
Unlike the almost seamless border transition by train between Graz 🇦🇹 and Maribor 🇸🇮, crossing the border from Ptuj 🇸🇮 into Croatia 🇭🇷 looked wooly to say the least. One of the spectacularly pointless elements of nationalism is making larger settlements that are in close proximity poorly connected – the Balkans is a particularly bad example. A 7am train from to Čakovec 🇭🇷 looked like the only option. Then, on inspecting the information online it appeared the train would go no further than somewhere called Ormož 🇸🇮 due to staffing issues and Good Friday. Unfamiliar with the reliability of Croatian rail replacement services, but aware all our eggs were in one basket, we had to try it.
In the end, the switch to the replacement bus was well choreographed by the train conductor, but the bus trundled along, getting us to Čakovec later than planned. A connecting train to Varaždin appeared to be horribly delayed, and the passengers listlessly kicking dust around the station concourse didn’t seem promising. The ticket officer also assured us it wouldn’t be coming and we could only get the next train 2 hours later. Resigned to that, we set off into Čakovec centre to have a look around and kill some time. Except – what is that on the horizon? As the station disappeared behind us, a train emblazoned with Varaždin approached. Running full pelt with full rucksacks, we got back to the platform in literally the nick of time, as the guard was about to blow his whistle. Off we went to Varaždin!
A northern city with an impressive central castle and beautiful Austrian-era old town, we first visited Varaždin in September 2014 where a 10-day festival Špancirfest was in full swing. Memories of cheerful crowds, bunting, huge barbecues, live music on the street and magical courtyards like Julijan’s Apartment 🇭🇷 left rose-tinted spectacles.
It is to be expected that any town goes through its highs and lows, and perhaps being Easter we could hope for something similar. We were wrong – on this year’s visit. Grey, quiet, with a hint of rain in the air, the experience was initially like after the Lord Mayor’s show, the air had been sucked out of the balloon somewhat. Still, after a café stop-off, castle visit and lunch, it was time to inspect the bars – bars we resolutely failed to visit in 2014, 3 years before this site was founded.
The first stop off, one we had recommended to us, was south east of the old town near the park. Medina Škrinja Pub 🇭🇷. Tucked around the rear of the building, you’ll find a pretty unremarkable set of patio furniture used by smokers, and uPVC type entrance, none of which sets off any great vibes. Hang in there though as the interior space opens out into a historic vaulted room, vast and dark. The ‘Bear’s Chest’ is decorated with a large ceiling centrepiece, the eponymous bear with a chest of treasure chained to it. Around the brick interior there are medieval sigils and a general acknowledgement that this is a very old building. The bar enjoys a decent beer selection – only a few that would get any beer geeks purring, but still clearly above average, and even during the afternoon there was a decent clutch of people and plenty of activity at the bar to create adequate atmosphere. We are confident the evening would be even better, and it was an easy inclusion to our guide.
Finally, it had rolled around to 3pm allowing us to check in our apartment, drop off our luggage and have a rest. Our next stop was on the fringes of town, around 25 minutes walk, Picabia Pub 🇭🇷. One of Croatia’s persistent issues is a lack of a pub type feel to its communal social drinking venues. While this place wouldn’t make our guide, it was pleasingly pubby in feel and appearance, the complimentary nuts made it reasonable value and it is basically a spacious neighbourhood hangout of a kind that are in fairly short supply in provincial Croatia.
After a stop for dinner, we looked around the centre in efforts to find Julijan’s Apartment 🇭🇷, only to find that it was closed (for the day, not permanently). Pretty gutting when you average 1 visit to Varaždin every decade.
This left 2 venues remaining, the first being only a semi-promising looking bar called Medonja🇭🇷. Some places perhaps don’t photograph well, and this is one of them. It is true that the main lounge is unnecessarily green, and the bar area is pretty unremarkable. And yet two elements entirely compensated for that. Firstly the surprisingly good beer selection – you are not starved for decent choices, both Croatian and International. Secondly, it is a very effective social space that was on our visit buzzing with people.
A last stop of the evening was to the imaginatively titled Craft Beer Bar 🇭🇷. This guesthouse has converted its entrance hall into a café bar. It’s all done on a budget, with portable keg machines lined in a row below the stairs, the 1 member of staff gamely trying their best to cover orders, but nevertheless a long wait on a Friday night. There is a good social scene here, some interesting local craft beers on offer too, but the bare bones of the bar are somewhat lacking.
